satire

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Thinking about 'God Made Trump,' with 'Hemingway -- Mark Hemingway'

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Thinking about 'God Made Trump,' with 'Hemingway -- Mark Hemingway'

Editor’s note: While preparing for this week’s podcast (“Carefully entering the hall of mirrors created by the 'God Made Trump' video”) I emailed a former GetReligionista who is way smarter than me about the Byzantine Beltway world. That would be “Mark — Mark Hemingway.” If you get that reference, you know that @Heminator knows a few things about mass-media satire. Here is his response, with slight editing.

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I haven't seen anything that establishes it's satire; but it's so over the top I also can't imagine anyone took it seriously.

I would only note that there's a very, very fine line for the "meme magic" online right between satire and stuff calculated to "trigger the libs." Basically, if the left is outraged by something, the idea is that they're going to lean so hard into it so as to make the issue pervasive enough that the criticism for doing what is unacceptable loses its sting.

Why? Because the left holds tremendous cultural power in setting the boundaries for what is acceptable and unacceptable discourse. That was always a power that the left abused by applying double standards and political correctness to their advantage; but it was mostly done around the margins because of a general consensus on the First Amendment as an important value. 

However, in the last decade or so with critical theory/wokism/cancel culture finally obtaining some sort of critical mass in among institutional leadership that the First Amendment consensus is really no more, at least among a lot of cultural gatekeepers, and they've just been moving the goalposts randomly as it suits their purposes.


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Podcast: Carefully entering the hall of mirrors created by the 'God Made Trump' video

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Podcast: Carefully entering the hall of mirrors created by the 'God Made Trump' video

I will not apologize for the fact that this week’s “Crossroads” podcast (CLICK HERE to tune that in) contains lots of questions and few answers.

In a way, the whole “God Made Trump” video ruckus is a house of mirrors full of questions.

Nevertheless, you cannot follow what Americans call “politics” without pondering the role that religious language is playing these days. At the same time, it’s impossible to ignore the role of humor — including brutal satire — in all of this. Put religion and humor together (with a dash of AI) and all hades breaks loose.

The New York Times offered a straight-faced news story about a trend that is a threat to democracy when used by conservatives and, in particular, the MAGA Orange Man Bad team. What about the satire on the other side, which is usually offered by billion-dollar platforms in mainstream media and late-night entertainment? That isn’t relevant. Meanwhile, here’s that double-decker Times headline:

Iowa Pastors Say Video Depicting Trump as Godly Is ‘Very Concerning’

The viral video shows the former president, in starkly religious, almost messianic tones, as the vessel of a higher power sent to save the nation.

The big question here that the Times team never asks: To what degree is the “God Made Trump” video satire or a wink-wink salute to a certain tribe of Trump supporters in some pews? Hold that thought, because asking that question leads to those hall-of-mirrors questions.

This Times piece is all serious all the time. Here is a key byte of that:

The clip’s authors are members of the Dilley Meme Team, an organized collective of video producers who call themselves “Trump’s Online War Machine.” The group’s leader, Brenden Dilley, describes himself as Christian and a man of faith, but says he has never read the Bible and does not attend church. He has said that Mr. Trump has “God-tier genetics” and, in response to outcry over the “God Made Trump” video, he posted a meme depicting Mr. Trump as Moses parting the Red Sea.


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Modern world knows how to hoard lots of 'stuff,' but struggles with the higher virtues

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Modern world knows how to hoard lots of 'stuff,' but struggles with the higher virtues

Quoting Alexander Solzhenitsyn is not a typical cold open for an edgy Jewish comedian.

But the Russian-British Konstantin Kisin -- a self-avowed "politically non-binary satirist" -- wasn't joking during his recent speech to the Alliance for Responsible Citizenship in London's O2 Arena. He was describing what he sees as immediate threats to liberal Western culture.

Solzhenitsyn, who wrote "The Gulag Archipelago," noted: "The strength or weakness of a society depends more on the level of its spiritual life than on its level of industrialization. … If a nation's spiritual energies have been exhausted, it will not be saved from collapse by the most perfect government structure or by any industrial development. A tree with a rotten core cannot stand."

That quote came to mind, said Kisin, while watching throngs around the world celebrate the Oct. 7 raids on civilian populations in Israel.

"I am starting to lose faith. I don't know how long our civilization will survive. For years now, many of us have been warning that the barbarians are at the gates. We were wrong. They're inside," said Kisin, who offered serious commentary and dark humor. "I'm not going to be all doom and gloom. There are positives as well. Say what you want about Hamas supporters, at least they know what a woman is."

The ARC co-founders -- British Baroness Philippa Claire Stroud and Canadian psychologist Jordan Peterson -- urged the authors, business leaders, artists, scientists and others who spoke during the three-day gathering to focus on a positive vision of public life.

Thus, ARC circulated questions such as, "Can we find a unifying story that will guide us as we make our way forward?" and "How do we facilitate the development of a responsible and educated citizenry?" But, in a pre-conference paper, Peterson and the Canadian iconographer and YouTube maven Jonathan Pageau noted that future progress will require dealing with the past.


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Newspaper that once sang praises of Stalin shocked Babylon Bee likes to sting liberals!

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If you have been reading The Babylon Bee since Day 1, you know that its bread and butter has always been satire of evangelical Protestants of all kinds — from bearded Reformed seminarians who study theology in hipster craft-brewing establishments to megachurch musicians who yearn to play Eddie Van Halen solos during the 100th repetition of whatever praise chorus is currently all the rage.

You can see the Summa Theologica of that viewpoint in the book “How to Be a Perfect Christian: Your Comprehensive Guide to Flawless Spiritual Living,” by Bee founder Adam Ford and Kyle Mann, the website’s current editor. Hold that thought, because we will come back to it.

Lots of core early readers clicked on classic headline like “New Prayer App Delivers Electric Shock Every Time User Says 'Just' ") or "Joel Osteen Sails Luxury Yacht Through Flooded Houston To Pass Out Copies Of 'Your Best Life Now.' "

Then along came Donald Trump: Superstar. Legions of people wanted to click a headline like this one: “Trump Announces He Was Born Of A Virgin And Will Bring Balance To The Force.” Eventually, it was obvious that the Bee also needed to harvest the gazillions of clicks that would result from posts mocking blue-zip-code liberals who have been suffering from so-called “Trump Derangement Syndrome.”

The fact that I needed to add “so-called” in that sentence points to the complexity of the current age for satirists. As another Bee headline noted: “Reality Criticized For Not More Clearly Distinguishing Itself From Satire.”

Now, if Bee readers were going to write a New York Times headline about all of this — the evangelical subculture humor, the jabs at Trump and then the wisecracks about liberals — wouldn’t it look something like this epic double-decker?

What ‘The Babylon Bee’ Thinks Is So Funny About Liberals

The comedy site, a conservative answer to ‘The Onion,’ used to have Trump squarely in its cross hairs. But now it’s less about him and more about the people who can’t stand him.

This is actually a pretty interesting article, if one is willing to ignore the history of the Babylon Bee. Also, it helps to assume that, in order to be legitimate (whatever that means for a satire site) and funny, it needs to focus most of its attention on the sins of Citizen Trump, while ignoring all those freakouts about his existence seen in the highest ranks of the cultural establishment — especially the world of high tech billionaires and America’s entertainment, academic and journalism elites.

All of that brings us to this Times overture that simply writes itself:


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Might even 'Trump's Court Artist' (per The Atlantic) have a sense of humor?

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Here’s a tug of the LeBlanc beret for Jennifer A. Greenhill for “Trump’s Court Artist” in The Atlantic. Being described as a court anything to President Trump qualifies as apostasy among his snarkiest critics. Consider, for example, historian John Fea’s frequent designation of “court evangelical” on his weblog, The Way of Improvement Leads Home.

Greenhill, professor of art history at the University of Southern California, concentrates her remarks largely on McNaughton’s full-barreled support of Donald Trump and his pointed depictions of Bill and Hillary Clinton, Barack Obama, even Woodrow Wilson.

I have lived through the past several years without realizing that McNaughton does so much to provoke the cultural left, including art critic Jerry Saltz of New York magazine. Saltz, as Greenhill mentions, called one McNaughton painting (of a glowering President Obama holding a burning Constitution) “bad academic derivative realism,” “typical propaganda art, drop-dead obvious in message” and “visually dead as a doornail.” (Props to the TV affiliate CBS DC for seeking his thoughts.)

Greenhill too quickly moves on from McNaughton being a member of the Church of Jesus Christ of Latter-day Saints (his attending Brigham Young University is one clue). This is the one church that teaches the most exalted perspective on the nation’s founding.


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What a world we live in: 'Reality Criticized For Not More Clearly Distinguishing Itself From Satire'

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What a world we live in: 'Reality Criticized For Not More Clearly Distinguishing Itself From Satire'

During this week’s “Crossroads” podcast — click here to tune that in — host Todd Wilken and I talked about the ongoing war between The Babylon Bee, a conservative Christian news satire site, and the progressive fact checker squad at Snopes.com.

Oh, and as often happens in discussions of religion and public life, the threat that (trigger warning) Chick-fil-A seems to pose to American civilization ended up in the mix.

Here’s a typical question from the discussion: Is it satire to satirize contemporary satire by pretending to think that the satire is actual real news?

Or something like that.

The bottom line is that real news is starting to sound like satire. As the Bee said the other day: “Reality Criticized For Not More Clearly Distinguishing Itself From Satire.” At the same time, lots of satire is starting to sound like subtle (or not so subtle) forms of real — or some would say “fake” — news. Take the top of this New Yorker piece for example:

Customers across the nation who turned out for Chick-fil-A Appreciation Day were in for a surprise, as the chicken restaurant chose today to launch a new product, Hate Sauce.

Delighted customers mobbed the restaurants to try the zesty new sauce, with many chicken fanciers ordering their sandwiches with extra hate. “It’s so spicy it makes your mouth feel like it’s on fire — like a gay couple in hell,” said Harland Dorrinson, who sampled the sauce at a Chick-fil-A in Orlando.

That’s pretty blunt and, thus, it’s easy to assume that it’s satire (which it is).

But how about the quotes in the following story about a Chick-fil-A war at the University of Kansas?

“KU granted Chick-fil-A, a bastion of bigotry, a prime retail location in the heart of our campus,” KU’s Sexuality & Gender Diversity Faculty and Staff Council said in a letter sent this week to Chancellor Doug Girod, the provost’s office and the athletic department.


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Friday Five: Alex Trebek, flipping churches, clumsy Oregonian, Babylon Bee, Twitter personalities

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Word missing from the new “Jeopardy!” video about host Alex Trebek’s cancer recovery …

What is “prayer?”

Readers will recall that back in April, Trebek credited prayers with helping him overcome stage 4 pancreatic cancer, and we explored some of the holy ghosts in news coverage.

In this case, it seems to be “Jeopardy!” itself that is haunted in its video touting the show’s new season.

While reflecting on that, let’s dive into the Friday Five:

1. Religion story of the week: Our own Terry Mattingly made a really important point this week on the growing trend of old churches being being sold and flipped:

So here is my question: Is the fate of the church bodies that formerly occupied these holy spaces an essential element in all of these stories? In the old journalism formula “who,” “what,” “when,” “where,” “why” and “how,” does the “WHY” element remain important?

It would appear not, based on many of the stories that I am seeing.

Go ahead and read it all.


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This is no joke: Religion News Service reports on feud between Babylon Bee and Snopes

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I’ll admit my bias right up top: I’ve found Snopes’ “fact-checking” of the satire news site the Babylon Bee extremely humorous.

But not until I saw a Religion News Service headline this week reporting on the kerfuffle between those two entities did it strike me that there might be a meaty news story there.

So kudos to RNS for doing what the best journalists do: seeing a scenario that a lot of people are talking about, and maybe even chuckling over, and recognizing an opportunity to present the facts in impartial manner.

Hey, I know I’m interested in knowing more about this clash.

Let’s start at the top:

(RNS) — A feud between a website that specializes in religious and political satire and a fact-checking powerhouse is raising questions about the role of short-form internet satire in the era of fake news.

Last week (July 22), the Babylon Bee — a website that got its start in primarily religious satire but has since waded into more political waters by satirizing liberal political figures — published a story in which a Georgia state lawmaker accused a Chick-fil-A employee of telling her to “Go back to your country!” only to later learn that the cashier actually said “my pleasure.”

According to the Babylon Bee’s website, the article was shared nearly 400,000 times on Facebook and more than 53,000 time on Twitter.

There was just one problem: Although written for a satirical site, the account was mostly true. A Georgia lawmaker did have a similar encounter with a store worker in the past month, but it was in a Publix, not a Chick-fil-A, and the exact wording of the worker was unclear.

Maybe this is my bias showing, but I am not certain “powerhouse” is the term I would have chosen to describe Snopes. I mean, is Snopes really a powerhouse?


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Is the Babylon Bee insider 'Christian' funny, or truly funny enough for prime time?

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Is the Babylon Bee insider 'Christian' funny, or truly funny enough for prime time?

So what is this week's "Crossroads" podcast actually about?

Well, on one level it's about the "Christian" humor website called The Babylon Bee. But on a deeper level, it's about what happens when the word "Christian" is turned into an adjective defining a form of popular culture. At that point, all kinds of interesting and even distressing things take place. There are news stories in there, folks.

For example, when you hear someone talking about "Christian" rock 'n' roll, doesn't that (if you are of a certain age) make you think of that famous "Seinfeld" episode that included the riff about the car-radio buttons? Here's a flashback, from an "On Religion" column that I wrote long, long ago:

As she pulled into traffic, Elaine Benes turned on her boyfriend's car radio and began bouncing along to the music.
Then the lyrics sank in: "Jesus is one, Jesus is all. Jesus pick me up when I fall." In horror, she punched another button, then another. "Jesus," she muttered, discovering they all were set to Christian stations. Then the scene jumped to typical "Seinfeld" restaurant chat.
"I like Christian rock," said the ultra-cynical George Costanza. "It's very positive. It's not like those real musicians who think they're so cool and hip."

It's all about the world "real." We are not talking about "real" musicians, here. We are talking about "Christian" rock. Thus, when most people hear the phrase "Christian" rock, they probably think of this rather than this (please click these URLs).

What do you think of when you hear people talk about "Christian" movies? Do you think of this or of this?

How about the fine arts? When you think of Christian paintings, do you think of this or, well, of this?

I could go on. "Christian" humor, including satire, is not new -- in fact, it's ancient.


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