fashion

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Asking CNN: When is a hijab not really a hijab? Clue: This could be a faith-based question

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There was a curious story on CNN’s web site the other day about a Somali Muslim supermodel who has been the first woman — on several platforms — to wear her hijab as she modeled some very modest clothes.

Some of us look awful wearing close-fitting scarves but Halima Aden is one of those blessed individuals with gorgeous facial features who’d stand out in a gunny sack. She exemplifies “modesty culture,” which is portrayed in mass media as repressive when it occurs in a Christian context, but becomes high fashion when a svelte Muslim takes it on.

But then this Muslim called a halt to it all for religious reasons that are never really explained by the fashion reporters who covered her story.

CNN began its piece as follows:

Muslim model Halima Aden is stepping back from fashion and quitting runway shows entirely after feeling pressured to compromise her religious beliefs, she announced Wednesday.

Aden, the first model to wear a hijab and burkini in the Sports Illustrated swimsuit issue, posted a series of Instagram Stories describing the difficulties she has faced in the "toxic mess called fashion." In the posts, she recounted skipping prayers, wearing clothes she wasn't comfortable in and styling her hijab in ways she felt betrayed her values.

"They could call me tomorrow and not even for $10 million would I ever risk compromising my hijab ever again," she wrote. Aden also pledged to never take part in runway shows or travel for fashion months again, adding that "that's where all the bad energy came from."

As I read the rest of the CNN story, I could not figure out what “styling her hijab in ways that betrayed her values” meant.

Fortunately, this BBC story explained it some.

She says she's compromised her religion many times as part of her job — including missing prayer times set out in the Islamic faith or agreeing to model without a hijab on, using another item of clothing to cover her head.


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Diamonds, divas, devils: Where Catholicism, fashion, satire, news and commentary mix?

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There’s been a lot written already about that killer fashion show in New York last week that mixed Catholicism and celebrities with couture designed by people who grew up in the faith but no longer attend church.

There were no hair shirts to be seen, but everything else that could be linked to Catholic practice or devotion was on display on peoples' bodies at the Metropolitan Museum of Art’s Costume Benefit on May 7. The annual event is a high holy day of fashion where guests vie to see who can have the most outrageous get-up.

Catholic traditions range from guardian angels to Guadalupe icons; all of them infinitely easier to cast into film and culture (has anyone done a movie about Protestants like Martin Scorcese's "The Silence" about Jesuits in 17th-century Japan?). The Met, in the biggest show it's ever staged, tried to draw them all in.

So we read first, from the Associated Press:

NEW YORK -- Delicate veils, jeweled crowns and elaborate trains made up the holy trinity of haute couture at Monday’s religion-themed Met Gala.

Bella Hadid held court as a gothic priestess (is that a thing?), as her gold-embroidered headpiece fanned out over a simple black corset and skirt. The dramatic look was topped off with a structured, embossed leather jacket, emblazoned with a gold cross.

Kate Bosworth’s pearl-encrusted veil draped over a shimmering tulle gown by Oscar de la Renta, while Mindy Kaling donned a regal, blue-jeweled crown with a feminine silver gown and navy gloves. Kaling stars in the upcoming “Ocean’s 8,” a jewelry heist romp set at the Met Gala.

If anyone can make a mitre modern, it’s Rihanna. The Grammy-winning artist arrived dripping in pearls and crystals in a Maison Margiela Artisanal minidress and ornate robe. 

This AP piece (two writers were apparently assigned to the occasion) did include a reference to the actual Catholic prelate in attendance:


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Concerning secular chapels, racy white wedding dresses and other non-religion news

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A long, long time ago I was fascinated by a New York Times story about a hot trend in the Big Apple -- all of those folks lining up at the Manhattan Marriage Bureau. I started work on a post, but one delay led to another.

So deep into the GetReligion file of guilt it went, until a saw another wedding story with a sexy, literally, new news angle and the two got hitched.

On one level, the Marriage Bureau story had a simple business hook, and a valid one at that. You can see that in this fact paragraph near the top:

Weddings at the Manhattan bureau have increased by nearly 50 percent since 2008, according to the city clerk’s office. The increase has been coaxed by two changes in recent years: the legalization of same-sex marriage and an effort by Mayor Michael R. Bloomberg in 2009 to reimagine -- and relocate -- the bureau to rival Las Vegas as a wedding destination with pizazz.

Then later there were references to events inside and outside the "chapel." Such as:

Around 11:15 a.m., the pair entered the chapel of Angel L. Lopez, an officiant who had performed 86 weddings by the close of business. (A colleague handled another 15 during Mr. Lopez’s lunch break.)
Mr. Lopez stood behind a lectern on what appeared to be a doormat.

Interesting. Now, if one looks up the word "chapel" in a dictionary, one finds something like this:


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Uncovering part of those church modesty debates

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As I have mentioned many times here at GetReligion, Deacon Greg Kandra’s blog “The Deacon’s Bench” is must reading for anyone who is is seeking a rather light-hearted, but very newsy, look at what’s happening in Catholicism and in religious life in general. What we have here is a second-career Catholic clergyman, a permanent deacon, who in his previous career was a 26-year veteran with CBS News who won two Emmys, two Peabody Awards, etc., etc.


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