Jimmy Kimmel

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Movie mogul Tyler Perry preaches tolerance to the woke flock at Oscars 2021

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Movie mogul Tyler Perry preaches tolerance to the woke flock at Oscars 2021

It was just like one of those inspiring Tyler Perry movie scenes when a believer does the right thing and helps a struggler have a come-to-Jesus epiphany.

Perry was walking to his car after some Los Angeles production work when he was approached by homeless woman.

"I wish I had time to talk about judgment," said Tyler, after receiving the Jean Hersholt Humanitarian Award during the 93rd Academy Awards. "Anyway, I reach in my pocket and I'm about to give her the money and she says: 'Excuse me sir, do you have any shoes?'

"It stopped me cold because I remember being homeless and having one pair of shoes," he added. "So, I took her into the studio. … We're standing there [in] wardrobe and we find her these shoes and I help her put them on. I'm waiting for her to look up and all this time she's looking down. She finally looks up and she's got tears in her eyes. She says: 'Thank you Jesus. My feet are off the ground.' "

Perry, of course, is a movie mogul who has built a 330-acre studio facility in Atlanta used for all kinds of work, including parts of the Marvel epic "The Black Panther." He has created many profitable films of this own, such as "Diary of a Mad Black Woman," "The Family that Preys" and "Madea's Family Reunion," part of a series in which Perry, in drag, plays a pistol-packing, Bible-quoting matriarch at the heart of Black-family melodramas.

It was logical for Perry to receive the Jean Hersholt award, in part because of his rags-to-riches life and his efforts to help churches and nonprofits help the needy. At the same time, it's unlikely that he could ever win a regular Oscar statue since critics and Hollywood elites have long mocked his movies as soapy parables crafted to appeal to ordinary church folks -- Black and White. It isn't unusual, in the final act of Perry movies, for weeping sinners to pull their lives together during Gospel-music altar calls.

Thus, Perry's sermonette was an unusual twist in an Oscar rite packed with political messages and wins by films that few American moviegoers saw or even knew existed.


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Diamonds, divas, devils: Where Catholicism, fashion, satire, news and commentary mix?

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There’s been a lot written already about that killer fashion show in New York last week that mixed Catholicism and celebrities with couture designed by people who grew up in the faith but no longer attend church.

There were no hair shirts to be seen, but everything else that could be linked to Catholic practice or devotion was on display on peoples' bodies at the Metropolitan Museum of Art’s Costume Benefit on May 7. The annual event is a high holy day of fashion where guests vie to see who can have the most outrageous get-up.

Catholic traditions range from guardian angels to Guadalupe icons; all of them infinitely easier to cast into film and culture (has anyone done a movie about Protestants like Martin Scorcese's "The Silence" about Jesuits in 17th-century Japan?). The Met, in the biggest show it's ever staged, tried to draw them all in.

So we read first, from the Associated Press:

NEW YORK -- Delicate veils, jeweled crowns and elaborate trains made up the holy trinity of haute couture at Monday’s religion-themed Met Gala.

Bella Hadid held court as a gothic priestess (is that a thing?), as her gold-embroidered headpiece fanned out over a simple black corset and skirt. The dramatic look was topped off with a structured, embossed leather jacket, emblazoned with a gold cross.

Kate Bosworth’s pearl-encrusted veil draped over a shimmering tulle gown by Oscar de la Renta, while Mindy Kaling donned a regal, blue-jeweled crown with a feminine silver gown and navy gloves. Kaling stars in the upcoming “Ocean’s 8,” a jewelry heist romp set at the Met Gala.

If anyone can make a mitre modern, it’s Rihanna. The Grammy-winning artist arrived dripping in pearls and crystals in a Maison Margiela Artisanal minidress and ornate robe. 

This AP piece (two writers were apparently assigned to the occasion) did include a reference to the actual Catholic prelate in attendance:


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Ratings were way, way down at the Church of the Oscars this year (spot the religion ghosts)

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Ratings were way, way down at the Church of the Oscars this year (spot the religion ghosts)

It sounds like a simple question: Who is the AUDIENCE for the annual Academy Awards show? "Crossroads" host Todd Wilken opened this week's podcast host with that puzzler (click here to tune that in).

Ah, but are we talking about the audience for the program itself, as in the audience in the glitzy auditorium, or the audience for television broadcast that, once upon a time, was must-see TV in pretty much all American zip codes?

You see, you really have to think your way through that two-part equation in order to understand the post that I wrote the other day about the collapse in television ratings for this year's Academy Awards telecast. That post is right here: "Kudos to Washington Post for accidentally revealing diverse forms of Oscar hate/apathy?"

You see, I praised the Post -- gently -- for kind-of noticing that many Americans may have tuned out this year's Oscars show for reasons other than a desire not to see President Donald Trump bashed over and over. Late in that piece, they quoted some religious conservatives, one of whom sounded disappointed that stars hadn't dedicated more time to #MeToo issues during the Oscars.

Then there was this quip by host Jimmy "Man Show" Kimmel, which was aimed at the current administration -- but also had the beliefs of millions of traditional Christians, Jews and Muslims.

“We don’t make movies like ‘Call Me by Your Name’ for money. … We make them to upset Mike Pence,” Kimmel also said, referring to the same-sex romance film nominated for best picture.

So why did gazillions of Americans in flyover country tune out Oscars 2018, giving this cultural touchstone its lowest ratings, ever?

Obviously, it has something to do with the bitter divisions in American life that are cultural and moral, as well as political. At the same time, there is an schism between Americans who like the edgy niche-market movies that are dear to modern Hollywood's heart, and those who show up for mass-market superflicks that are not as preachy (or preach in a different style).

Do the power players in Hollywood know about this schism? Of course they do.


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Kudos to Washington Post for accidentally revealing diverse forms of Oscar hate/apathy?

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I was looking through Twitter and it appears that the Academy Awards were on the other night. Can someone confirm whether or not that's true? Has Snopes looked into that rumor?

Apparently, I was not the only flyover America person (I am not teaching in New York City at the moment) who missed this barometer of trends in American life, humor, politics and virtue.

Besides, I saw very few of this year's films -- again. When it's movie night at my house, we tend to curl up and watch classics like this, this, this or even a modern film like this or maybe even this. Then again, there's always time to visit the doctor.

Anyway, the Oscars were not a big hit there and everyone wants to talk about why. Here are the basics from The Hollywood Reporter:

A comparatively uneventful Oscar telecast led the way on TV Sunday night -- though updated numbers have the telecast somewhat predictably stumbling to an all-time low.
The kudocast, nearly four hours long, stumbled 19 percent from the previous year to 26.5 million viewers. That's easily the least-watched Oscars in history, trailing 2008 by more than 5 million.

When it comes to this "why" question, GetReligion readers will be stunned to know that this was all about politics and, especially, President You Know Who. Thus, the Washington Post opened it's Oscars ratings wreck story like this:

The 90th Academy Awards show was two things: an evening of pointed political statements and a telecast with record-low Oscars viewership. And many on the right have been quick to claim that those things went hand in hand, though the critic-in-chief blamed a lack of star power. ...
The dismal ratings for the ABC broadcast were a hot topic on Fox News, discussed at the top of the hour on both Tucker Carlson’s and Sean Hannity’s evening shows Monday, and again on Tuesday’s edition of “Fox & Friends.”

Now, whether the Post team intended to or not, this same report -- toward the end -- included some interesting voices that hinted that morality, culture and maybe even religion played a role in this story. Hold that thought.


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Duck, duck, ghost: Media miss faith angle on 'Duck Dynasty'

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Last Wednesday night, the Season 3 premiere of A&E’s “Duck Dynasty” delivered 8.6 million viewers, beating Fox’s “American Idol” and ABC’s “Modern Family” in the important 18- to 49-year-olds demographic.


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