Variety

Yo, MSM: Anyone planning to stalk Jesusland religion ghosts lurking in 'The Hunt' movie?

Yo, MSM: Anyone planning to stalk Jesusland religion ghosts lurking in 'The Hunt' movie?

What a country we live in, these days. If you have been following the controversy surrounding the now-delayed movie “The Hunt,” you know that this is — according to mainstream media reports — yet another controversy about politics, anger, guns, violence and America’s Tweeter In Chief.

Oh, and there is no way to avoid the dangerous word “elites” when talking about this Hollywood vs. flyover country saga. However, if you probe this media storm you will find hints that religion ghosts are hiding in the fine print — due to the movie’s alleged references to “deplorables” and “anti-choice” Americans.

But let’s start with a minimalist report at The Washington Post that ran with this headline: “Universal cancels satirical thriller about ‘elites’ hunting ‘deplorables’ in wake of shootings.” Here’s the overture:

Universal Pictures has canceled its plan to release “The Hunt,” a satirical thriller about “elites” hunting self-described “normal people,” amid a series of mass shootings and criticism that the film could increase tensions.

“We stand by our filmmakers and will continue to distribute films in partnership with bold and visionary creators, like those associated with this satirical social thriller, but we understand that now is not the right time to release this film,” Universal said in a statement.

The studio already had paused its marketing campaign for the R-rated movie, which was slated for release on Sept. 27. … “The Hunt,” directed by Craig Zobel (“Z for Zachariah”) and produced by Blumhouse Productions, follows 12 strangers who are brought to a remote house to be killed for sport. 

Everything in this media-drama hinges on how this movie is alleged to have described the beliefs and behaviors of these “normal” Americans — who are stalked by rich, progressive folks defined by high-class culture and political anger issues. The elites are led by a character played by Oscar-winner Hilary Swank.

If you are looking for facts in this oh so Donald Trump-era mess, journalists at The Hollywood Reporter claim to have details deeper than the innuendoes glimpsed in the hyper-violent trailers for the movie (trailers that appear to be vanishing online). Here is a chunk of that story, which is referenced — aggregation style — in “news” reports all over the place.

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Visiting 'The Shack' -- Media pros should bone up on some theology before doing so

Visiting 'The Shack' -- Media pros should bone up on some theology before doing so

By this time, “The Shack,” a movie based on the best-selling novel of the same name, has been out a week. It has received lackluster reviews so far, even though it has Octavia Spencer playing God. Can’t get much better than that.

We don’t cover reviews here at GetReligion, since our focus is on news. However, I do wish to suggest that if mainstream media reviewers are going to critique a religious film, they should at least bone up on basic Christian doctrines or find a copy editor who has.

For those who need some background on the film, they could read an actual news report on issues raised in the film. Here's what Religion News Service led with:

(RNS) The 15 copies William Paul Young made at Office Depot did everything he had hoped they would do.
And more.
Young fulfilled a promise he’d made to his wife to write something down for their six children that captured the way he viewed God, and the 15 copies were given to his family and friends as Christmas gifts. ...
After it was rejected or ignored by 26 publishing companies, (author) Wayne Jacobsen and his friend Brian Cummings set up a small company to publish the story themselves. And Windblown Media sold nearly 1.1 million copies out of Cummings’ garage in just over a year.
Now Young’s best-selling book “The Shack” is completing its decade-long journey from the page to the screen in a Hollywood film opening this weekend (March 3), starring Octavia Spencer and Sam Worthington.

The article then summarizes the plot and some of the opposition to the film, which presents a multi-ethnic Trinity in the form of a black woman, an Israeli man and a Japanese woman.

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The real 'Exodus': media coverage that goes beyond the dollar signs

The real 'Exodus': media coverage that goes beyond the dollar signs

Ridley Scott mustered $140 million for Exodus, his epic on the biblical Passover story, only to see it reap a mediocre $24.5 million last weekend. But the real-life plagues struck media reports: plagues of blindness and deafness to the religious and spiritual causes for the tepid opening receipts.

But we'll start with the two bright spots I saw.

To my surprise, the best report appears in Variety, not your typically spiritual journal. Its 500-word story reads like an indepth, but refreshingly without blatant opinion or obvious attempts to steer our viewpoint. Its three expert sources prove the points of the article.

Noting that this was supposed to be "the year that Hollywood found religion," writer Brent Lang traces the uneven record for faith-based films in 2014. Big-budget spectacles, like Exodus and Noah, have stumbled, while smaller films like God's Not Dead and Heaven is for Real have triumphed. And Lang asks his sources why:

With 77% of Americans identifying as Christians, Hollywood sees a big audience for these kind of films.
“The Bible is a hot commodity,” said Jeff Bock, a box office analyst with Exhibitor Relations. “The secret is to start small, keep the budget manageable and get into grassroots marketing.”

Nor is this a new trend. Variety notes that The Passion of the Christ, Mel Gibson's 2004 film, grossed $612 million on a $30 million budget. And its opening weekend reaped $83.8 million.

Again, an expert source explains:

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