When you 'Wish' upon a sermon: Is there a religion ghost in the latest Disney flop?

Anyone who has been paying attention to the pop-culture marketplace during 2023 knows that even the most secular business analyst would be tempted to think that the Walt Disney Company has done something to provoke the wrath of whatever Supreme Being the Mouse lords are willing to acknowledge.

Marvel at this Inside the Magic headline, if you will: “Disney Chief Predicts Total Disaster for Studio Before End of Year.”

That’s a take that will awaken even the most woke studio boss.

This brings is the the latest Disney box-office flop — “Wish.” At the time I wrote this post, I could not even get any of the “Wish” links to work at the Rotten Tomatoes website — which is never a good sign. If you’re interested in the tomato-past details, see this story at Screen Rant: “7 Reasons Wish's Rotten Tomatoes Score Is So Divisive.”

Is there a “religion ghost” in this drama? Not if you read Variety. This latest Disney nightmare is simply another example of Disney+ being overextended and the American movie audience suffering from lingering COVID-19 fears. Here’s that headline: “Disney’s Bleak Box Office Streak: ‘Wish’ Is the Latest Crack in the Studio’s Once-Invincible Armor.”

Hold that “religion ghost” thought for a moment. Here is the stunning overture of the Variety piece, showing the wider context of the “Wish” crash:

“Wish” misfired in its opening weekend, extending Disney‘s bleak box office fortunes.
The animated musical fable, about the Wishing Star that so many Disney characters have wished upon over the studio’s century-long history, failed to become the de facto choice for families around Thanksgiving. “Wish” opened in third place with a dull $31.7 million over the five-day holiday, a far cry from Disney’s past Turkey Day feasts. Perhaps King Magnifico, the movie’s villain (voiced by Chris Pine), is holding hostage the wishes of Disney executives?
Instead of recapturing the studio’s magic, “Wish” joins a long list of its underperforming 2023 tentpoles, such as “The Marvels,” “Indiana Jones and the Dial of Destiny,” “The Haunted Mansion,” and “Ant-Man and the Wasp: Quantumania.”

If you run a search of the GetReligion site for "ESPN" you will, for the most part, find exactly what you would expect: A long list of stories about athletes -- famous and obscure -- that contain little or nothing about the role that faith plays in their lives, even if it's easy to read between the lines and spot the religion ghosts.

You can spend quite a bit of time simply reading about the Bible, the National Basketball Association and superstar Stephen Curry's inspirational sneakers.

But now there is something different to talk about. What we have here is a sort of think piece thing about ESPN and politics that is actually making news in some corners of the World Wide Web.

The big question is whether this story is really about "politics" or, well, you know what.

What we're dealing with here is a remarkable letter to readers and viewers from the pilots who steer the mass-media giant that ESPN insiders have long called "The Mother Ship." In other words, we're talking about a content issue on the prime ESPN channels, in the core shows and public projects that for a few decades now have helped drive the direction of how Americans interact with sports.

The headline on the piece by public editor Jim Brady states: "Inside and out, ESPN dealing with changing political dynamics."

Let's start at the very beginning, a very good place to start:

The 2016 presidential election season has been one most of us will never forget. The tone has been ugly, the controversies endless, the coverage unrelenting. Our social media feeds are full of politically charged statements, and what dialogue does exist between differing sides more often resembles a WWE match than nuanced debate.

Thankfully, I get to write about ESPN, where the focus on sports means I never have to deal with politics.

Ah, if only that were true.