Coco

Ratings were way, way down at the Church of the Oscars this year (spot the religion ghosts)

Ratings were way, way down at the Church of the Oscars this year (spot the religion ghosts)

It sounds like a simple question: Who is the AUDIENCE for the annual Academy Awards show? "Crossroads" host Todd Wilken opened this week's podcast host with that puzzler (click here to tune that in).

Ah, but are we talking about the audience for the program itself, as in the audience in the glitzy auditorium, or the audience for television broadcast that, once upon a time, was must-see TV in pretty much all American zip codes?

You see, you really have to think your way through that two-part equation in order to understand the post that I wrote the other day about the collapse in television ratings for this year's Academy Awards telecast. That post is right here: "Kudos to Washington Post for accidentally revealing diverse forms of Oscar hate/apathy?"

You see, I praised the Post -- gently -- for kind-of noticing that many Americans may have tuned out this year's Oscars show for reasons other than a desire not to see President Donald Trump bashed over and over. Late in that piece, they quoted some religious conservatives, one of whom sounded disappointed that stars hadn't dedicated more time to #MeToo issues during the Oscars.

Then there was this quip by host Jimmy "Man Show" Kimmel, which was aimed at the current administration -- but also had the beliefs of millions of traditional Christians, Jews and Muslims.

“We don’t make movies like ‘Call Me by Your Name’ for money. … We make them to upset Mike Pence,” Kimmel also said, referring to the same-sex romance film nominated for best picture.

So why did gazillions of Americans in flyover country tune out Oscars 2018, giving this cultural touchstone its lowest ratings, ever?

Obviously, it has something to do with the bitter divisions in American life that are cultural and moral, as well as political. At the same time, there is an schism between Americans who like the edgy niche-market movies that are dear to modern Hollywood's heart, and those who show up for mass-market superflicks that are not as preachy (or preach in a different style).

Do the power players in Hollywood know about this schism? Of course they do.


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