Movies

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Behold! The New York Times dared to explore the spiritual 'fire' inside Denzel Washington

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Behold! The New York Times dared to explore the spiritual 'fire' inside Denzel Washington

Behold. It is time for me to praise — at great length — something published in The New York Times. It was even written by Maureen Dowd, of all people.

The headline on this length first-person feature: “Denzel Washington, Man on Fire.” No, this story isn’t about the stunningly violent, but at times quite biblical, 2004 movie entitled “Man on Fire.” It’s about the new film — “The Tragedy of Macbeth” — that combines the Oscar-level talents of Washington, director Joel Coen and producer-actress Frances McDormand, who is married to Coen. For Washington, playing the lead role represented a return to his theater roots with Shakespeare.

As you would expect, a Times piece by Dowd is going to include quotes from Hollywood A-listers such as Ethan Hawke, Liev Schreiber, Melissa Leo and Meryl Streep. Tom Hanks has this to say about Washington: ““He is our Brando. Nicholson. Olivier.”

However, the key to this feature is that the “fire” in the headline is both artistic and spiritual. It is, literally, a reference to Washington’s Pentecostal Christian upbringing and the Christian faith that he is not afraid to discuss in the context of his talent and his vocation.

It’s hard to know what to quote from this piece — since it covers so many bases. If you want insights into filmmaking and the complex minds of Coen and McDormand, you will find it. This isn’t a religion story. However, it’s a story that is willing to let Washington speak his mind.

The faith element enters with one of those “here I am talking to Denzel Washington” scenes that are far too common in arts and entertainment journalism. But, in this case, this tired device works. This passage is long, long, long, but essential. I will break it up, just a bit:

[Washington] said he had gotten very little sleep. He had just put the final touches on a film he directed, “A Journal for Jordan,” the true story of the romance between Dana Canedy, a former New York Times reporter and editor, and Sgt. Charles Monroe King, a soldier who was killed by a roadside bomb in Iraq, after meeting their infant son only once. It stars Michael B. Jordan and Chanté Adams and also opens widely on Christmas Day.

“It’s just a beautiful story of loss and love,” Mr. Washington said, “a story about real heroes and sacrificing, men and women who have given their lives so that we have the freedom to complain.”


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From Off Broadway to movie screens: The complicated conversion story of C.S. Lewis

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From Off Broadway to movie screens: The complicated conversion story of C.S. Lewis

While historians argue about what C.S. Lewis did or didn't say, it can be stated with absolute certainty that the Oxford don never patted down his rumbled, professorial tweed jacket before exclaiming, "Where's my phone?"

That line occurs at the start of "The Most Reluctant Convert," as actor Max McLean enters a movie set preparing for the first scene. Seconds later, the camera follows him into the real Oxford, England, where Lewis was a scholar and tutor at Magdalen College.

At first, the famous Christian writer explains how he became an atheist. When he walks into the real White Horse pub, he orders two pints of beer, with one for the viewer. Soon, scenes from his memories spring to life, with Lewis striding through them as a narrator.

"Lewis is in his imagination. He's personified in his thoughts. … I do think that the structure emerged out of the fact that Lewis had a lot to say," said McLean, laughing.

Thus, director Norman Stone -- a BAFTA winner for BBC's "Shadowlands" -- let the "voice of Lewis articulate his struggle, his passion. He is one of those rare individuals where one's intellect, one's emotions and one's spirituality are completely intertwined," said McLean.

All of this is second nature to McLean since the film covers much of the same territory as his own "C.S Lewis Onstage." This was a one-man show at the Fellowship for Performing Arts in New York City, an off-Broadway company McLean founded and guides as artistic director. It has staged other Lewis works, such as "The Screwtape Letters" and "The Great Divorce," drawing warm reviews from The New York Times and other major publications.

The first-person narration, explained McLean, was primarily drawn from Lewis' autobiography, "Surprised by Joy," and the many volumes of his personal letters.

The jump from stage to screen, of course, allowed the film's creators to seek permission to film in some of the most important sites linked to Lewis' life.


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Thinking about covering news about exorcisms? Journalists need this kind of book

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Thinking about covering news about exorcisms? Journalists need this kind of book

This is typically the time of year when book publicists love to send out press releases about new books that have something to do with Oct. 31.

Halloween has become one of those festivities that have grown in popularity over the last few decades. Once relegated to just being a night for children to dress up and go trick-or-treating, Halloween has grown into a commercial holiday right up there with Christmas. For many, it is the centerpiece of the fall season.

For publishers, it’s also the chance to push books that have to do with evil, demons, witches, witchcraft, ghosts and the supernatural in general. Even Roman Catholic publishers have gotten into this game. Thus, see this book: “Diary of an American Exorcist” (Sophia Institute Press) by Father Stephen Rossetti, a priest and well-known exorcist.

Yes, exorcism. This is frequently a subject that shows up in news coverage, as well as popular culture. Every few years, it seems like we see another wave of headlines about the Roman Catholic Rite of Exorcism. Here’s a recent example — an Associated Press report on exorcism rites after civic violence.

Reporters who want to cover this topic need some basic facts, prayers and scriptures. Thus, it would help to have a reference book or two. It’s not enough to have seen the 1973 horror film “The Exorcist,” one of the scariest movies ever made.

Back in April 2020, I reviewed the fascinating book “The Devil is Afraid of Me: The Life and Works of the World’s Most Famous Exorcist” by Gabrielle Amorth, a famous Catholic priest who performed scores of exorcisms over his lifetime.

In this new book, Rossetti details his experiences after having taken part in hundreds of exorcisms. As a press release with the book noted, “The point of this book isn’t to entertain. No: It’s to inform the American people — Catholic and non-Catholic alike — about the reality of the preternatural, and the tangible dangers posed by the evil beings that populate our world just outside our sensory perception.”

I know what some of you might be thinking. Exorcism? In 2021? Come on.


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Concerning prayers and penalty kicks: Inside the official Vatican soccer tournament

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Concerning prayers and penalty kicks: Inside the official Vatican soccer tournament

Beyond the Vatican’s walls and its soaring columns lies a not-so-secret passion. It is this passion, one that envelopes much of the planet, that takes over the lives of a select group of Catholic priests and seminarians.

This passion is especially relevant with the Italian national team playing in the finals of EURO 2020.

What is this passion? It’s soccer, of course. In particular, it’s the annual Clericus Cup, a soccer tournament contested by teams from various seminaries located throughout Rome. Founded in 2007, the competition features 66 different nationalities and is the brainchild of Cardinal Tarcisio Bertone, the former Vatican secretary of state and rabid soccer fan.

The tournament pits against one another different religious orders and schools where seminarians are studying and training to become ordained priests. Think of it as March Madness for priests-in-training who play the world’s most popular sport. In fact, the tournament has received regular press from the Italian media and even the subject last year of a feature story on FIFA.com, soccer’s world governing body.

This unique sporting event is the focus of a new 69-minute documentary called “The Holy Game” by filmmakers Brent Hodge and Chris Kelly. The film, distributed by Gravitas Ventures, details what’s often called the “World Cup of the Church” — but also takes a behind-the-scenes look at these seminarians who love both playing the game and the challenges that come with dedicated their lives to God.

Soccer aside, the film follows several seminarians all with a seemingly similar backstory: self-doubt and anxiety over what awaits them once they are ordained.


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New podcast: When preachers copy preachers -- is this an old story or something new?

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New podcast: When preachers copy preachers -- is this an old story or something new?

As longtime GetReligion readers may know, my father was a Southern Baptist minister, spending his whole career in Texas pulpits and hospitals.

I heard him, from time to time, gently correct people who called him “preacher.” He would note that he wasn’t a “preacher,” he was a pastor. Brother Bert’s life and ministry were not defined by his pulpit work, although I always admired his ability to teach the Bible to laypeople.

Like it or not, preaching is the crucial skill — almost a Darwinian performance art — in the world of megachurches and evangelical power. Superstar clergy, about 99% of the time, are known for their preaching skills, even in liturgical-church traditions. The styles may differ, from one church brand to another, but growing churches usually have orators who can pull people into the pews.

That was the subject looming over this week’s “Crossroads” podcast (click here to tune that in), which focused on a strong Religion News Service report about the #Sermongate controversy surrounding the new leader of the Southern Baptist Convention. The headline: “New SBC President Ed Litton apologizes for using JD Greear sermon quotes without credit.” Here is some crucial material right up top:

A video posted on YouTube Thursday (June 24) showed clips of a ­­­January 2020 sermon on the New Testament book of Romans from Litton and clips from a January 2019 sermon on the same Bible passage from J.D. Greear, whose term as SBC president ended in June.

At several points, the comments from the two preachers are nearly identical. … The two pastors also say very similar things about homosexuality, which both believe is sinful.

But they each say Christians have erred by treating sexual sin as if it is worse than other sins — and singling out LGBT people as the worst of sinners.

What does “nearly identical” look like?


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Movie mogul Tyler Perry preaches tolerance to the woke flock at Oscars 2021

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Movie mogul Tyler Perry preaches tolerance to the woke flock at Oscars 2021

It was just like one of those inspiring Tyler Perry movie scenes when a believer does the right thing and helps a struggler have a come-to-Jesus epiphany.

Perry was walking to his car after some Los Angeles production work when he was approached by homeless woman.

"I wish I had time to talk about judgment," said Tyler, after receiving the Jean Hersholt Humanitarian Award during the 93rd Academy Awards. "Anyway, I reach in my pocket and I'm about to give her the money and she says: 'Excuse me sir, do you have any shoes?'

"It stopped me cold because I remember being homeless and having one pair of shoes," he added. "So, I took her into the studio. … We're standing there [in] wardrobe and we find her these shoes and I help her put them on. I'm waiting for her to look up and all this time she's looking down. She finally looks up and she's got tears in her eyes. She says: 'Thank you Jesus. My feet are off the ground.' "

Perry, of course, is a movie mogul who has built a 330-acre studio facility in Atlanta used for all kinds of work, including parts of the Marvel epic "The Black Panther." He has created many profitable films of this own, such as "Diary of a Mad Black Woman," "The Family that Preys" and "Madea's Family Reunion," part of a series in which Perry, in drag, plays a pistol-packing, Bible-quoting matriarch at the heart of Black-family melodramas.

It was logical for Perry to receive the Jean Hersholt award, in part because of his rags-to-riches life and his efforts to help churches and nonprofits help the needy. At the same time, it's unlikely that he could ever win a regular Oscar statue since critics and Hollywood elites have long mocked his movies as soapy parables crafted to appeal to ordinary church folks -- Black and White. It isn't unusual, in the final act of Perry movies, for weeping sinners to pull their lives together during Gospel-music altar calls.

Thus, Perry's sermonette was an unusual twist in an Oscar rite packed with political messages and wins by films that few American moviegoers saw or even knew existed.


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New podcast: Should religious leaders and the cultural right applaud lousy Oscar ratings?

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New podcast: Should religious leaders and the cultural right applaud lousy Oscar ratings?

Pick a headline, just about any Oscar headline.

The ratings for the 2021 Academy Awards were bad. How bad? Here’s the take from the world-weary folks at Entertainment Weekly: “Oscars hit another historic low in ratings.”

The New York Post has been known to produce blunt headlines. Thus: “Oscar ratings drop to an all-time low with unwatchable show.”

But what matters, of course, is what runs in prestige settings such as The New York Times. The big business-desk headline there provided some extra, rather acidic, context:

Oscars Ratings Plummet, With Fewer Than 10 Million Tuning In

Sunday night’s pandemic-restricted telecast drew 58 percent fewer viewers than last year’s record low.

Wait, there’s more bad news:

Among adults 18 to 49, the demographic that many advertisers pay a premium to reach, the Oscars suffered an even steeper 64 percent decline, according to preliminary data from Nielsen. …

[The] Oscars have been on a slide since 1998, when 57.2 million people tuned in to see “Titanic” sweep to best-picture victory.

What’s the religion-news hook in this story, other than the semi-religious role that the Oscar rites play in the cult of Hollywood? That was the subject of this week’s “Crossroads” podcast. Click here to tune that in or head over to Apple Podcasts to sign up for a weekly feed.

Let’s walk through this.


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Season 2 of 'The Chosen' arrives on TV screens on Easter. Where was the news coverage?

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Season 2 of 'The Chosen' arrives on TV screens on Easter. Where was the news coverage?

Back in the day when I was covering religion fulltime, I always knew I could score a front page story if I prepared a large feature for Easter Sunday. That was always the day that my editors were looking for “something religious” to please the church-attending readers. Other reporters did this as well, as it was one of the few days in the year that our work could shine.

Lots has changed, obviously, judging from the front pages of some of the newspapers I perused this past Easter Sunday. My former employer, the Houston Chronicle, had nothing local. Ditto for the Los Angeles Times, Seattle Times, Oregonian and even the Salt Lake Tribune –- usually reliable to at least run something Latter-day Saint related — came up short.

One bright light: Up river from the Oregonian, the Vancouver Columbian ran a huge spread Easter Day on St. Luke Productions, a Catholic theater company (that I’ve written about here and here) that’s based in southwest Washington and travels the country doing amazing portrayals of Catholic saints. See, it can be done.

A few outlets ran a pope-observes-Easter wire story from the Associated Press, but that was it. I looked at the Washington Post, which had a bit more, including a story about a local church opening up for the first time since COVID-19 started plus a piece on how pandemic-ravaged Italy is observing Easter.

The New York Times ran a mishmash of opinion pieces, including one from an English prof who wasn’t sure if Jesus had resurrected or not and one from a prof from Wheaton College urging readers to remember Easter is more than a spring celebration. There was a jewel of a piece on Jesus’ wounds and — in the Times wedding section — a beautifully photographed story about a Nigerian-American couple whose first kiss was on their wedding day. The story was snark free; a true Easter miracle.

I know it’s a challenge to come up with original Easter (and Passover) story ideas year after year, but it can be done and many of us did it.

Most of the religion content I saw yesterday was relegated to the opinion pages and kept away from news content, which is a troubling shift from religion-as-news to religion-in-the-realm-of-feelings. There’s plenty of the former available, but where’s the will to dig out those stories, especially the biggest one that happened yesterday that no one reported on?

That was the premiere of Season 2 of filmmaker Dallas Jenkins’ very successful “The Chosen” TV series. It’s the first multi-season TV series about the life of Christ, and 74,346 people raised $10 million for Season 1, which came out last year. That amount made “The Chosen” the largest crowdfunded media project –- ever.


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It was hard to edit God out of Cicely Tyson's epic story, but some journalists gave it a try

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It was hard to edit God out of Cicely Tyson's epic story, but some journalists gave it a try

It was hard to listen to Cicely Tyson talk about her life without recognizing the strong undercurrent of Christian faith in her words, deeds and also in her art. While remaining a proud, private, dignified woman, her faith was not something that she tried to hide.

The question here at GetReligion, of course, was whether any of that imagery and information would make it into the news coverage surrounding her death at the age of 96.

The answer was, of course, “yes” and “no.” Many of the obituaries mentioned her Tony-winning return to Broadway in 2013, at the age of 88, to play the unstoppable matriarch in Horton Foote’s classic, faith-driven play, “The Trip to Bountiful.” The show-stopping moment, night after night, was when Tyson would sing — joined by many in the audience — the classic hymn “Blessed Assurance.” It’s hard to avoid the content of lyrics such as these:

Blessed assurance, Jesus is mine; Oh, what a foretaste of glory divine!
Heir of salvation, purchase of God; Born of His Spirit, washed in His blood.

This is my story, this is my song, Praising my Savior all the day long.

If you were looking for the faith-free version of Tyson’s life, the natural place to turn was The New York Times.

This story did a great job of capturing her impact on American culture, especially in terms of the sacrifices she made to portray African-American life with style, power and dignity. Here are two crucial summary paragraphs on that essential theme:

In a remarkable career of seven decades, Ms. Tyson broke ground for serious Black actors by refusing to take parts that demeaned Black people. She urged Black colleagues to do the same, and often went without work. She was critical of films and television programs that cast Black characters as criminal, servile or immoral, and insisted that African-Americans, even if poor or downtrodden, should be portrayed with dignity.

Her chiseled face and willowy frame, striking even in her 90s, became familiar to millions in more than 100 film, television and stage roles, including some that had traditionally been given only to white actors. She won three Emmys and many awards from civil rights and women’s groups, and at 88 became the oldest person to win a Tony, for her 2013 Broadway role in a revival of Horton Foote’s “The Trip to Bountiful.”

But the only reference to her Christian faith — negative, of course — came in this bite of biography:


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