Norman Lear: An iconic mass-media seeker who evolved past secularism

Early in the premier of Norman Lear's sit-com "Sunday Dinner," the beautiful environmentalist T.T. Fagori raised her eyes to heaven and, with a sigh, entered a spiritual minefield.

"Chief?", she asked God. "You got a minute?"

In addition to praying out loud in prime time, this character offered a theological reverie at dinner while meeting the family of her fiancé, a 56-year-old widower nearly three decades her elder. The problem: His granddaughter heard Fagori mention God during a science lecture.

"You see, I talk about extending 'love thy neighbor' to include animals, plants, stuff like that. I say that the natural world is the largest sacred community to which we all belong," Fagori explained. "I talk about cosmic piety because the same atoms that form the galaxies are in all of us and it's the universe that carries the deep mysteries of our existence within itself.

"You see how all that sounds pretty spiritual. … So, when the kids hear me say these things, some of them think they hear the word 'God,' but they don't. I don't actually mention it. Interesting, huh?"

This 1991 comedy flopped, but it was an important statement from Lear, whose December 5 death at 101 years of age closed his career as lightning rod in popular culture and politics.

For decades, Lear described himself as a cultural Jew who didn't practice any traditional form of faith. He also founded People for the American Way, an old-school liberal advocacy group on church-state issues. But this television icon became more and more intrigued with religious faith, both as a force in American life and as a topic ignored by Hollywood.

Podcast: Norman Lear's America was liberal, but not totally secular (correction)

In 2021, the Fellowship For Performing Arts in New York City — which produces “theatre and film from a Christian worldview” — released an ambitious movie with a title that made no attempt to hide its religious content.

To no one’s surprise, “The Most Reluctant Convert: The Untold Story of C.S. Lewis” was popular with the vast audience that reads and supports the work of the Oxford don who was one of the 20th Century’s most influential Christian apologists.

However, FTA founder Max McLean — who played the older Lewis in the film — also received support from a source that many would consider surprising. Here’s a key quote:

“God knows we need more intriguing, faith-oriented films like this. Noble is the right word; I would also add courageous and powerful. Thank you for all you do and bravo! You are a true artist.”

The email came from Hollywood legend Norman Lear and his wife, Lyn.

Lear’s death at age 101 has received waves of mainstream news coverage, all of it deserved. The question, explored in this week’s “Crossroads” podcast (CLICK HERE to tune that in), was whether this coverage explored Lear’s complex relationship with the role that religion plays in American life and culture.

Lear considered himself a cultural Jew with no ties to the practice of a traditional religious faith. In response to the rise of the Religious Right, he also founded People for the American Way — a liberal think tank and advocacy group on church-state issues.

However, in the final decades of his long life and career, Lear wrestled with the powerful role that religion played in mainstream American life and was intrigued with the fact that faith issues and stories seemed to be anathema to the powers that be in mass media.

In other words, Lear was an unbeliever who was both appalled and intrigued with people of faith and he wrestled with why liberal forms of faith seemed to have little appeal with ordinary Americans. These tensions could be seen in one of his final, failed attempt at a new sit-com, the six episodes of “Sunday Dinner.” Hold that thought.

This matters, in large part, because the legend of Norman Lear is based on the valid praise he received for dragging real-life issues into American entertainment, especially with his trailblazing TV comedies.