Today’s Daily Religion Headlines email from the Pew Research Center features abortion stories from the New York Times and The Associated Press.

There’s a Washington Post story on the House passing a bill to ban discrimination based on sexual orientation and gender identity, a Chicago Tribune story on police boosting their presence at Jewish schools and synagogues after Molotov cocktails were found and a Dallas Morning News story on parishioner reactions to authorities’ recent raid of Dallas Catholic Diocese offices as part of a sexual abuse investigation.

And there are a handful of other headlines with rather obvious religious angles.

But then there’s this one:

Can Paul Huntsman save The Salt Lake Tribune?

Wait, what!? Why exactly is that a religion story?

Well, first of all, Salt Lake City is in Utah. Isn’t every story there a religion story? (I kid. I kid. Mostly.)

But seriously, this is a story that couldn’t be told — or at least couldn’t be told well — without recognizing the crucial religion angle.

Give the New York Times credit for hitting that angle immediately:

SALT LAKE CITY — Life was tranquil for Paul Huntsman, a scion of a rich and powerful Utah family, before he got into the news business.

He spent his workdays managing much of the Huntsman family’s considerable portfolio at the Huntsman building on Huntsman Way. Sundays meant services at a Church of Jesus Christ of Latter-day Saints chapel with his wife, Cheryl Wirthlin Huntsman, and their eight children. There were also skiing excursions to Deer Valley and hiking trips to Snowbird, and the parents were regulars at their children’s ballet performances, cheerleading banquets and lacrosse games.

Then Mr. Huntsman, a son of the billionaire industrialist Jon M. Huntsman Sr., bought The Salt Lake Tribune.

The news peg for the story is Huntsman’s effort to save the Tribune by turning it into a nonprofit entity. I won’t attempt to summarize all those details but will instead urge you to read the Times’ story. On social media, I noticed both positive and negative appraisals of the piece from insiders.