Nobel Prize

Beyond lingo, journalists must keep current on the frontiers of sexuality and reproduction

Modern sexuality poses continual challenges for writers as they navigate changing sensitivities on verbiage. One example broke into the news last week when Supreme Court nominee Amy Coney Barrett was chastised for assuring a U.S. Senate hearing that she "would never discriminate on the basis of sexual preference."

Hawaii Democrat Mazie Hirono accused Barrett of uttering an "offensive" word. Barrett responded that she never meant to offend and "if I did I greatly apologize." Immediately, Merriam-Webster, a standard arbiter of proper word usage, announced that "preference" is now labeled "offensive" because it suggests "a person can choose who they are sexually or romantically attracted to."

When the all-consuming U.S. political campaign has ended (thankfully!), the media need not only to ponder such evolving word choices, but to keep current on the frontiers of human sexuality and reproduction in science, ethics and politics, such as the following potential story themes. All of these issues raise moral issues that will cause discussions, debates and even conflict in various religious traditions.

Fertility equality — The New York Times has surveyed at length this new movement, a.k.a. "the right to a baby." This is an extension off of "marriage equality," that is, legalized same-sex marriage. Exponents now contend that the ability to have children and create a family should no longer be determined by "sexuality, gender, or biology."

Same-sex couples or singles who cannot conceive offspring biologically are said to suffer "social infertility." Instead of adopting children, they may hire surrogate mothers or employ in-vitro fertilization and newer reproductive technologies to have children who perpetuate their own genetic heritage. This movement works for the end of legal limitations and for public funding, since these processes can be expensive and are not normally covered by medical insurance.

Advocates include Men Having Babies, the National Center for Lesbian Rights, Fertility Within Reach and Affordable Families. For global contexting, see "The Pink Line: Journeys across the World's Queer Frontiers" by Mark Gevisser.

There's interesting hostility from some feminists, including Gloria Steinem and Deborah Glick, the first lesbian in the New York State legislature. They oppose legalization and liken the purchase of surrogate births to slavery as patriarchal exploitation of women that lowers their status.


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Testaments Old and New? Bob Dylan's story is baptized in all of that, chapter and verse

Want to watch a really interesting fight?

Put a bunch of Bob Dylan fans -- true believers -- in a room with a really good sound system. Make sure the flock includes old-guard Rolling Stone subscribers, a couple of academics with doctorates in literature, some born-again Christians and some Jews -- cultural Jews and Jews who practice the faith.

Ask this question: Is Bob Dylan (a) a Jew, (b) a Christian, (c) some other brand of believer, (d) a mystic who has faith in faith, period, or (e) all of the above.

Each person gets to play three songs to help make his or her case. Let the arguing commence. Yes, the arguments will only get louder after Dylan the poet receives his Nobel Prize.

I'll state my prejudice right up front. I have never interviewed Dylan, but I have talked to people close to him (including a family member) and here is what I think: I see no evidence has Dylan has lost faith in God. I see no evidence, in this public remarks, that he has lost faith in Jesus. I see lots of evidence that he has lost faith in Bob Dylan.

How do you write about Dylan without exploring the religious themes in his work? Beats me, but here is a New York Times super-short summary of his art, in a hard-news story about the Nobel Prize announcement:

Within a few years, Mr. Dylan was confounding the very notion of folk music, with ever more complex songs and moves toward a more rock ’n’ roll sound. In 1965, he played with an electric rock band at the Newport Folk Festival, provoking a backlash from fans who accused him of selling out.
After reports of a motorcycle accident in 1966 near his home in Woodstock, N.Y., Mr. Dylan withdrew further from public life but remained intensely fertile as a songwriter. ...
His 1975 album “Blood on the Tracks” was interpreted as a supremely powerful account of the breakdown of a relationship, but just four years later the Christian themes of “Slow Train Coming” divided critics. His most recent two albums were chestnuts of traditional pop that had been associated with Frank Sinatra.

Christian themes? That's it? What about the Jewish roots of much of his art?


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