Naomi Judd

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Podcast: God knows, there's more to rising tensions in country music than politics

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Podcast: God knows, there's more to rising tensions in country music than politics

Gentle readers, here is the GetReligion question for this week.

Here we go: Who would you trust to know more about the complex cultural, moral, religious and, yes, political world of country music — the editors of Rolling Stone magazine or the late, great Johnny Cash?

I asked this question during this week’s “Crossroads” podcast (CLICK HERE to tune that in), which focused on a Rolling Stone feature with this headline: “The Culture Wars Are Tearing the Close-Knit Country Music Community Apart.”

To cut to the chase, these country music fights are all about politics — of course. And also, it’s totally new (#NOT) for country stars to speak out on issues of culture, morality, family, politics, economics, race, etc. Forget that Hank Williams guy, Jimmie Rodgers, Merle Haggard, Loretta Lynn and lots of other superstars.

People like Cash. It helps to read this next quote slowly and imagine the Man in Black’s voice-of-God singing and speaking tones

:… When asked to describe his musical values, Cash preached country gospel: "I love songs about horses, railroads, land, judgment day, family, hard times, whiskey, courtship, marriage, adultery, separation, murder, war, prison, rambling, damnation, home, salvation, death, pride, humor, piety, rebellion, patriotism, larceny, determination, tragedy, rowdiness, heartbreak and love. And mother. And God."

Yes. there’s some politics in there — along with some other important topics.


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Naomi Judd: 'It's scary to show that part of you that is the not so smart, not so together side'

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Naomi Judd: 'It's scary to show that part of you that is the not so smart, not so together side'

Naomi Judd thought she understood the ties that bind country-music stars and their audience -- then one aggressive fan went and joined the Pentecostal church the Judd family called home.

"It really burdened me," said Judd, after signing hundreds of her "Love Can Build a Bridge" memoir back in 1993. "I just don't sign autographs at church. The best way I can explain it to children … is to say, 'Honey, Jesus is the star.' "

After a year of this tense standoff, Judd became concerned and wrote the fan. "I said, 'I want you to really get away by yourself and read this letter and answer this question honestly: Do you come to church to see The Judds or do you come to church to see God?' She never came back to church. But she was in the autograph line today."

Through it all, Judd and her brash daughter Wynonna have talked openly about their triumphs and their struggles. Many fans identified with their failures just as much as the messages about faith and family.

At the time of that 1993 interview, Naomi Judd had battled through waves of anxiety attacks to address some dark realities -- such as rape, crisis pregnancy and her deadly battle with hepatitis C that retired the The Judds.

What she hadn't discussed at that time was the sexual abuse in her childhood that led to treatment-resistant depression. Judd's April 30th death, at age 76, focused new attention on blunt passages in her 2016 book "River of Time," in which she said had been tempted by suicide. "I wanted to be completely honest that if someone took out a gun and killed me on stage, they would be doing me a favor," she wrote.

The Judds were inducted into the Country Music Hall of Fame the day after Naomi's death and her shaken daughter Ashley Judd told the crowd, "I'm sorry that she couldn't hang on until today." Writing in USA Today, the actress expressed gratitude for her mother's legacy, but added: "Perhaps it's indecorous to say, but my heart is filled with something else, too. Incandescent rage. Because my mother was stolen from me by the disease of mental illness, by the wounds she carried from a lifetime of injustices that started when she was a girl."


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Naomi Judd: Press reports covered the dark nights of her life, but not the Sunday mornings

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Naomi Judd: Press reports covered the dark nights of her life, but not the Sunday mornings

Journalists tend to remember symbolic details from many of interesting interviews — whether they are with superstars of various kinds or ordinary people who have seen remarkable things.

Exhausted after signing hundreds of copies of her “Love Can Build a Bridge” memoir back in 1993, Naomi Judd retreated to her tour bus parked behind the bookstore. She apologized for heading to the back room to get out of one of her famous stage dresses and into something from her farm outside of Nashville. The ground rules: no photos, but all questions were fair game.

At point in her life, she had already talked about some dark days and nights — from rape to a crisis pregnancy and beyond. But she hadn’t dug deeper into her childhood and the abuse that created the deep pools of depression that would eventually take her life.

But this was a woman who was driven to talk about her angels, as well as her demons. My favorite quote from that interview didn’t make it into the “On Religion” column that I wrote pre-Internet, but stashed deep in my file cabinets with pages of notes and transcripts.

Naomi Judd stressed that if people — journalists included — want to understand country music, and the relationship between the musicians and their fans, they need to remember that it’s normal, in a country music show, “to sing about Sunday morning, as well as Friday and Saturday nights.”

That’s what I went looking for in the coverage of her death and then the ceremony in which The Judds — Wynonna and Naomi — entered the Country Music Hall of Fame. Here’s the top of the Nashville Tennessean report on that event, as it ran in USA Today:

As Grammy-winning duo The Judds were inducted into the Country Music Hall of Fame Sunday evening, Wynonna Judd addressed the passing of her mother Naomi just one day earlier.

Following brief remarks from her younger sister Ashley, Wynonna spoke for roughly four minutes.

"It's a strange dynamic to be this broken and this blessed. … But though my heart is broken, I will continue to sing," she said.

Wynonna said Naomi Judd, 76, passed away at 2:20 PM, and that she kissed her mother "on the forehead and walked away." She also stated that the last act she, Ashley and unnamed other family members did together was praying the Bible's 23rd Psalm. The crowd in attendance all recited the Psalm in unison with Judd to complete her speech.

That’s solid and hints at the atmosphere during the ceremony.

Truth is, Hall of Fame member Ricky Skaggs — who knew the Judds from the days before their rise to fame — took the audience to church, as he struggled to control his emotions through the entire speech-sermon.


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Talkin' Charlie Daniels 2.0: Country music is a mix of Sunday morning and Saturday night

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There’s this old saying here in Tennessee: When you’re talking about country music, you have to deal with stuff that happens on Saturday night and on Sunday morning.

The first person I heard say that was Naomi Judd and, well, she would know a thing or two about that. However, I don’t think that soundbite of wisdom originated with her. That would, for example, help explain the music of Hank Williams. Ditto for Willie Nelson. How about Dolly Parton?

You can put Charlie Daniels in there, as well. This leads me to the podcast conversation I had this week with Eric Metaxas, who has been a friend for 20 years or so. Please note that this goes way back before Donald Trump decided to enter politics.

Metaxas and I agree on many things and we disagree on a few things, too. But we care deeply about what happens when religious issues collide with the news. Eric tends to focus on the end product, while — as someone who has worked in newsrooms — tend to focus on the process.

You see, in the newsrooms I have worked in there have been lots of people who “get” Saturday night, by which I mean the rough-and-tumble topics (including politics) that folks hash out in honky-tonks. There are also a few newsroom pros who “get” what happens on Sunday morning, as in the world of religion.

When it comes time to write about the life of a person like country-rock superstar Charlie Daniels, what ends up in print largely depends on who is assigned to cover the story. That usually offers a window into the worldview of newsroom managers, just as much as it does reporters.

I was stunned when the Nashville Tennessean obit for Daniels viewed his life through the lens of politics and the Trump era (oh, and music). This affected what many news consumers read all over Tennessee, since Gannett now runs this state’s dominant newspapers (including my local paper in Knoxville).

My concern about that obit led to this post: “There was more to Charlie Daniels than politics and even his music (hint: 'I'll Fly Away').” This part of the piece jumped out at me:

… Daniels undoubtedly had many other passions. A staunch supporter of U.S. troops and veterans, he spent much of his career traveling overseas to play for service members in Kuwait, Iraq and Afghanistan. …

For the last four years, hardly a day went by without Daniels sharing this message on his Twitter account: “22 VETERANS COMMIT SUICIDE EVERY DAY!!”

On the platform, the man who sang 1980's confrontational "In America" solidified his reputation as one of the most outspoken figures in country music. In daily posts, he would decry abortion as “murder,” ask fans to “pray for the blue,” and declare that “Benghazi ain’t going away.”


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Gray Lady visits buckle of Bible Belt: Ignores historic Christian roots in booming Nashville

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I have been in and out of Nashville since the mid-1980s and I have heard that great city called many things.

Of course, it is the “Music City,” but I am more fond of the nickname “Guitar Town.”

Southern Baptists used to refer to the national convention’s large, strategically located headquarters as the “Baptist Vatican.” Then again, the United Methodist corporate presence in Nashville is also important.

This points to another reality: The historic synergy between the country music industry and the world of gospel music, in a wide variety of forms (including Contemporary Christian Music). Nashville is also home to a hub of Christian publishing companies that has global clout. All of that contributes to another well-known Nashville label: “Buckle of the Bible Belt.”

It’s an amazing town, with a stunning mix of churches and honky-tonks. As country legend Naomi Judd once told me, in Nashville artists can sing about Saturday night and Sunday morning in the same show and no one will blink.

This brings me to a massive New York Times feature that ran with this sprawling double-decker headline:

Nashville’s Star Rises as Midsize Cities Break Into Winners and Losers

Nashville and others are thriving thanks to a mix of luck, astute political choices and well-timed investments, while cities like Birmingham, Ala., fall behind.

That tells you the basic thrust of the story. What interested me is that the Times covered the rapidly changing face of Nashville — many Tennesseans moan that it’s the new Atlanta — without making a single reference to the role that religious institutions have played in the city’s past and, yes, its present.

That’s really, really hard to do. But the Times team managed to pull that off.


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