Hamilton

'Hamilton,' the prophets and liberal Catholicism: Poet Amanda Gorman took her shot

'Hamilton,' the prophets and liberal Catholicism: Poet Amanda Gorman took her shot

After Inauguration Day, everyone was buzzing -- obviously -- about weary Sen. Bernie Sanders and his mittens, as well as Lady Gaga's massive social-distance enforcing dress. Commentators explored the socio-political importance of the various shades of purple worn by female Democrats, while Garth Brooks raised eyebrows with blue jeans and maskless-hugs of assorted presidents.

Oh, and President Joe Biden belted out an address that was Bill Clinton-esque in terms of length.

But there was no question that the day’s rising star was Amanda Gorman, the young poet in the canary-yellow coat who certainly didn’t throw away her shot. The question, for GetReligion readers, was whether there was a religion angle in her work that meshed with the rest of the Inauguration Day celebration of the Gospel according to the Religious Left.

Anyone with a computer-based device and a search engine could easily learn that the answer was, “Yes.”

As one would expect, the New York Times offered the definitive faith-free story: “Amanda Gorman Captures the Moment, in Verse.” Now, it was totally valid that the overture underlined the role that the January 6th conspiracy-theory apocalypse played in the creation of the poem. The question is whether this young Catholic woman’s faith was part of her response to it.

Two weeks ago, the poet Amanda Gorman was struggling to finish a new work titled “The Hill We Climb.” She was feeling exhausted, and she worried she wasn’t up to the monumental task she faced: composing a poem about national unity to recite at President-elect Joseph R. Biden Jr.’s inauguration.

“I had this huge thing, probably one of the most important things I’ll ever do in my career,” she said in an interview. “It was like, if I try to climb this mountain all at once, I’m just going to pass out.”

Gorman managed to write a few lines a day and was about halfway through the poem on Jan. 6, when pro-Trump rioters stormed into the halls of Congress, some bearing weapons and Confederate flags. She stayed awake late into the night and finished the poem, adding verses about the apocalyptic scene that unfolded at the Capitol. …

At one point, this Times piece came close to exploring the DNA of key passages in her poem. Of course, the “Hamilton” influence was relevant (hold that thought). Then there was this:


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Massive New York Times story on Trinity Church raises good questions, but contains a big ghost

Every working day when I am teaching in New York, I walk past the historic Trinity Episcopal Church. I don’t go in that direction on Sundays, because I head over to Brooklyn for a rather different, clearly Orthodox liturgical experience.

But back to the dramatic sanctuary at Broadway and Wall Street. We are talking about some prime real estate. And if you are interested in the dollars and cents of all that, then The New York Times recently ran a long, long story that you will need to read.

Actually, this sprawling epic is three or four stories in one. You can kind of see that in the massive second line of this double-decker headline. So sit down and dig in.

The Church With the $6 Billion Portfolio

While many houses of worship are warding off developers as they struggle to hold on to their buildings, Trinity Church has become a big-time developer itself.

Frankly, I think this story should have been a series of some kind — to allow several of the valid religion-news angles to receive the news hole that they deserve. In a way, saying that is a compliment. Maybe.

For starters, you have that whole “$6 Billion Portfolio” thing, which deserves (and gets) a rather business-page approach. Then you have a perfectly valid church-state story about the tax questions circling around that vast bundle of secular and sacred real estate and development. Then you have a separate, but related, issue — New York City’s many other historic churches in which people are, often literally, struggling to keep a roof over their heads.

Oh, and Trinity Wall Street is still an actual congregation that is linked to a historic, but now rapidly declining, old-line denomination.

Want to guess which of these stories received the least among of ink in this epic? #DUH

If you guessed the “church” story, you guessed right. Yes, there is an important religion “ghost” in this big religion story.

Let’s start with the overture, then I will note one or two passages that point to what could have been. To no one’s surprise, a certain Broadway musical made it into the lede:

Since the blockbuster musical “Hamilton,” tourists have been swarming Trinity Church, part of an Episcopal parish in Lower Manhattan that dates to the 17th century. Alexander Hamilton and his wife, Eliza Schuyler Hamilton, are buried in the cemetery there.

Recent years have been good to the church and the rest of its campus.


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