Pop Culture

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Oh, those worship wars! Will evangelicals and charismatics ever learn to get along?

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Oh, those worship wars! Will evangelicals and charismatics ever learn to get along?

PAUL’S QUESTION:

Can “evangelicals” and “charismatics” worship together?

THE RELIGION GUY’S ANSWER:

Ah, those “worship wars” that have so roiled and reshaped U.S. Protestant churches this past half-century. The questioner, a music teacher, has attended “evangelical” churches with relatively “traditional” worship compared with the “contemporary” style associated especially with “charismatic” churches.

“We’ve gone through a monumental shift of style in our lifetime, which has never happened before,” says Ed Stetzer of Wheaton College (Illinois). Music is only part of the ongoing, sweeping evolution toward popular, informal, and “seeker-friendly” worship but it’s right at the center.

Paul posted this some time ago. The Guy decided to address the topic when the New Yorker profiled the late singer-songwriter Larry Norman as the leading “Christian rock” pioneer in the late 1960s. (The writer, Kelefa Sanneh is the son of Lamin Sanneh, professor of world Christianity at Yale Divinity School.)

His article began with a clergyman’s 1958 column declaring traditional church music to be “totally incompatible” with rock. He insisted that “the profound sacred and spiritual meaning of the great music of the church must never be mixed with” rock, which “so often plunges men’s minds into degrading and immoral depths.”

So believed the Rev. Dr. Martin Luther King, Jr., shortly after he led the epochal Montgomery bus boycott. Countless preachers agreed with him during that early phase of rock ‘n roll.

Years later, the onset of Norman and others in the “Christian rock” subculture coincided with the youthful “Jesus movement” and the rise of new “charismatic” congregations that emphasized youth appeal and informal worship. Two churches in southern California, Calvary Chapel and The Vineyard, fostered hundreds of daughter congregations and produced widely-used songs.

The hard rock scene was built around concerts and records as many churches upheld King-style traditionalism.


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Democrats after The Kiss: Did new left let enough 'blue dogs' run in 2018 midterms?

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Democrats after The Kiss: Did new left let enough 'blue dogs' run in 2018 midterms?

So what does the famous Al and Tipper Gore snog-deluxe at the 2000 Democratic National Convention have to do with the upcoming midterm elections in 2018? And what does that question have to do with the Big Bang question that is always lurking in American politics, which is control of the U.S. Supreme Court?

Be patient with me here, because I can see the connections in my mind (and in my own political experience over recent decades). But I’m not sure if I can get them to make sense in 600 words or so. But that’s what I need to do, since these questions are connected to the content of this week’s “Crossroads” podcast. Click here to tune that in.

So let’s start with The Kiss.

Long ago, young Al Gore was one of the heroes of conservative Democrats everywhere — as in “blue dog” Democrats that lean left on populist economic issues and lean right on matters of morality and culture. In other words, Gore was a pro-life Southern Baptist guy when he was in the U.S. House of Representatives and an almost-pro-life guy when he first hit the U.S. Senate.

That made him the kind of Democrat that could get elected over and over in a culturally conservative state — think Bible Belt — like Tennessee. That was good for Democrats. Hold that thought.

But when Gore took his ambitions to the national level, the realities of Democratic Party life made him float over to the liberal side of things on issues such as abortion and the illiberal side of things on issues like religious liberty (I say that as on old-fashioned First Amendment liberal).

In terms of image, however, he made a great New Democrat partner for President Bill Clinton, who once flirted — in politics, that is — with conservative moral stances on a host of issues.

But then Clinton turned into a whole different kind of man in the public eye. To say the least.


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Big religion ghost: Would a 'blue dog Democrat' win Tennessee's U.S. Senate race?

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What, pray tell, is a “blue dog Democrat” these days? If you look up the term online, you will find several variations on what characteristics define this politically endangered species.

Growing up as a Democrat in ‘70s Texas, I always heard that “blue dogs” — especially in West Texas — were progressives on economic issues and conservatives on culture. Many were “populist” Texans left over from the old New Deal coalition. Eventually, it was crucial that many “blue dogs” were Democrats who angered Planned Parenthood.

Meanwhile, we had a term for politicos who were conservative on economics and liberal on cultural and moral issues. They were “country club” Republicans.

Here is some language from the website of the current Blue Dog PAC :

The Blue Dog Coalition was created in 1995 to represent the commonsense, moderate voice of the Democratic Party, appealing to mainstream American values. The Blue Dogs are leaders in Congress who are committed to pursuing fiscally-responsible policies, ensuring a strong national defense, and transcending party lines to do what’s best for the American people.

Ah, what do the words “mainstream American values” mean in a land dominated by digital “progressives” and Donald Trump? Are there moral or religious implications there?

The term “blue dog” showed up in a recent New York Times feature about the U.S. Senate race in Tennessee, the Bible Belt state that I now call home. (Click here for a previous post on a related subject.) Here is the Times headline: “A Changing Tennessee Weighs a Moderate or Conservative for Senate.”

In Times terms, of course, this is a race between a “moderate” Democrat, that would be former governor Phil Bredesen, and the “hard-line” Republican, Rep. Marsha Blackburn. As always, the term “moderate” is a sign of editorial favor.


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Was there a big Catholic ghost in 'The Exorcist'? Don't ask the Los Angeles Times about that

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It feels really stupid to say that there was a major religion “ghost” in William Peter Blatty’s classic screenplay for “The Exorcist,” the horror classic that was based on his own novel.

It would be hard to write a story that — R-rating and all — contained more in-your-face religious issues and references than this one. Blatty, who died last year, was super candid about his goal to create a tale that (all together now) scared the “hell” out of people. But hold that thought, because we will come back to it.

No, what I want to note in this post is that the entertainment desk at The Los Angeles Times managed to do a major story about the 40th anniversary of this classic while avoiding any of its haunting spiritual symbols and themes.

How do you do that? Well, you start with the business angles linked to this monster hit and stay there. Damn the supernatural and full speed ahead. Here’s the overture:

During the production of the masterpiece of horror “The Exorcist,” director William Friedkin and screenwriter William Peter Blatty enjoyed having fun with the suits at Warner Brothers. At one point, the two were going to shoot a mock scene from the movie with Groucho Marx and send the footage to the executives.

“We always put them on,” said Friedkin. “They were always concerned that we were both crazy and would eventually implode the movie. We even staged blowups in front of them.”

Of course, study executives had other worries about this film and its contents. But, again, hold that thought, because the Times has a Hollywood event to plug.

“The Exorcist,” the first horror film to be nominated for a best picture Oscar, is being feted Monday by the Academy of Motion Picture Arts and Sciences with a 45th anniversary, sold-out screening at the Samuel Goldwyn Theater in Beverly Hills. …

Based on the runaway 1971 best-seller by Blatty, “The Exorcist” scared — and still does scare — daylights out of audiences. [Ellen] Burstyn stars as actress Chris MacNeil who, much to her horror, discovers her sweet young daughter, Regan (Linda Blair), is possessed by the devil. The only way to get rid of the demon is to call in two priests, the tormented young Jesuit Father Karras (Jason Miller) and the elderly exorcist Father Merrin (Max von Sydow) to cast out the devil.

Toward the very end of this long feature there is a hint — if you know what to look for — about the role that Blatty’s conservative Catholic faith played in this movie and the battles to get it on the screen.


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R-rated 'Game of Thrones' is also grist for debates about a second 'R' -- religion

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Last week, the New York Times magazine produced a fawning piece about George R.R. Martin, fantasy’s “reigning king” because of his seminal “Game of Thrones” series, now at five (immense) books.

I say “fawning” because the story was only on the series’ amazing success and not on the major problems Martin is having at finishing up his series. More on that in a bit. The goal, eventually, is to discuss whether the Times or any other publication has has shown any interest in the role of religion in this global hit.

These books started coming out in 1996, then continued in a (sort of) steady clip until 2011 with the release of book five. Book six, “The Winds of Winter,” was supposed to be out by 2016 at the latest, but the writer got caught up with helping produce the HBO drama (starting in 2011) Game of Thrones.

I read the first two books some years ago, but, annoyed with non-ending violence, I dropped them. I picked them up again in the fall of 2014 and finished the series while teaching in Fairbanks so as to have something to occupy me during that cold, dark winter. Now I’m making my way through the HBO drama and am nearly finished with the fourth season. As the Times says:

After the HBO show premiered, the world Martin had created became a global phenomenon, and his readership reached heights few authors have ever found — his American peers now include other household names of genre fiction, such as Tom Clancy and Stephen King.

The plot of “ASOIAF,” as fans call it, is concerned largely with events unfolding in and around the continent of Westeros around the year 300 A.C. (“after conquest” of the seven kingdoms in the books). The inciting incident of the series is the death, under suspicious circumstances, of Jon Arryn, who had been serving as hand of the king (chief of staff, basically) to a royal named Robert Baratheon. Arryn’s demise sets in motion a chain of events leading to the murder of King Robert himself, which in turn creates a power vacuum, destabilizing the prevailing political order. After centuries of relative calm, chaos erupts into a full-blown war, involving several of the realm’s great family houses.

Millions of people, of course, knew all of that already.

One reason it’s been taking me so long to get through the HBO series is because I can’t watch the stuff while the kiddo is awake because the violence/gore/explicit sex content is off the charts. Maybe that’s why — of the reams of material written about the book and wildly successful series — comparatively little has been written about the role of religion in the Game of Thrones books.

Not to say there isn’t any.


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Walking in the maze of labyrinth wars? This USA Today Network story sits out that debate

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Here is what I have learned about prayer labyrinths, during my decades on the religion beat.

Progressive Episcopalians love them, big time.

Evangelical Episcopalians hate them or, at the very least, worry about how they can be abused.

Progressive Catholics love them, big time.

Conservative Catholics hate them or, at the very least, worry about how they can be abused.

You may have noticed a pattern.

The arguments about labyrinths center on church history, theology, ancient myths and trends in modern “spirituality,” especially the many innovations that came to be labeled “New Age.” When writing about this topic, I have learned that it helps to focus on the doctrinal contents, and the origins, of the prayers that people are taught to recite while walking inside a labyrinth.

It’s hard to do a basic online search on this topic without hitting waves of information by those who embrace the use of labyrinths (examples here and then here) and those who reject them (examples here and then here).

This brings me to a long recent USA Today Network-Tennessee feature that ran with this headline: “Set in stone or brick, East Tennessee labyrinths are meditative walks for prayer.” This article, literally, could be used in a public-relations release about this particular labyrinth, since it contains ZERO information from critics. Here is the overture (this is long, but essential):

It's dusk on a September Tuesday as two dozen people step, silently and deliberately, around a twisting brick courtyard path at St. John's Episcopal Cathedral.

A few walk barefoot. Some carry candles or glow sticks. Most bow their heads in silent meditation or prayer as they follow the turns of St. John's brick and mortar labyrinth.

Candles and spotlights set among the garden surrounding the labyrinth cast shadows.


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That U.S. Senate race in Bible Belt Tennessee: What matters more, Trump or cultural issues?

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Let’s see. What was going on in America before public discourse went totally bonkers, once again?

Oh, right. The mid-term elections are coming up, with Democrats hoping to win enough seats in the U.S. Senate to put Mike Pence in the White House.

To the shock of just about everyone here in the three cultures of Tennessee (think Memphis, Nashville and Knoxville), this Bible Belt state has a real, live U.S. Senate race on its hands in 2018. This is what happens when Democrats are willing to nominate an old-guard politico who has a track record as an economic centrist, back in the days before religious, moral and cultural issues took complete control of American politics.

On top of that, megastar Taylor Swift has even jumped into the fight, with a blunt endorsement of an old, white guy, saying he is the best way to defend Tennesseans from a female candidate’s conservative beliefs about gender and sexuality.

In other words, it’s absolutely impossible to talk about the Tennessee U.S. Senate race without talking about religion and culture.

So, how did The Washington Post political desk do in its recent feature — “In deep-red Tennessee, Republicans are anxious about the U.S. Senate race“ — on this topic? Here is the overture, with the lede set right here in my back yard:

KNOXVILLE, Tenn. — Jeanie Brakebill voted for President Trump. But when a conservative canvasser showed up at the 63-year-old’s door here recently, she confided that she had grown tired of Trump’s confrontational brand of politics and was leaning toward voting Democratic in the upcoming midterm election.

“I would vote for Bredesen, to help out Tennessee — even if it means giving Democrats the majority in the Senate,” said Brakebill, referring to Democratic Senate candidate Phil Bredesen.

The sentiments expressed by Brakebill and voters like her have raised fresh worries for Republicans in this deep red state, which overwhelmingly supported Trump in 2016 but where voters remain divided just weeks before a midterm election that could determine which party controls the Senate.


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What are we to think of 'religious' TV shows that sidesteps the whole God issue?

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A late September headline at the Esquire magazine website proclaimed “There Is No God on TV, Only The Good Place.”

Indeed, the clever sitcom of that title, which launched season No. 3 last week, plays around with good and evil, heaven and hell, and even portrays supernatural demons. But God is missing.

This NBC fantasy is just the thing to lure the eyeballs of America’s growing legion of young, religiously unmoored “nones,” in a carefully multicultural fashion that also ignores religious beliefs and practices. Instead, the proceedings are all about a hazy moral philosophy about what makes a good person.

CBS makes a different audience bid with “God Friended Me,” which premiered Sunday. The drama’s lead character Miles (played by Brandon Micheal Hall) is a preacher’s kid turned outspoken atheist. Is the “God” who becomes his Facebook “friend” the actual cosmic God or some human or otherworldly trickster? To find out, Miles enlists his devout bartender sister, a hacker pal, and a journalist, and experiences coincidences that just might be miracles.

Judging from one episode, there may not be much here for religion writers to ponder, and it's hard to guess whether “Friended” can even survive. (Ratings prospects are dimmed by CBS’s inability to set predictable Sunday start times following sports events.) This seems inspiration-drenched programming in the varied tradition of “Highway to Heaven,” “Joan of Arcadia,” “Promised Land,” “Seventh Heaven,” “Touched by an Angel,” or last season’s short-lived “Kevin (Probably) Saves the World.”

“The Good Place,” by contrast, has somehow managed to establish a niche and win critics’ acclaim by probing Big Questions with a droll touch. Here salvation is earned strictly by performing good deeds instead of faith. That conflicts with an historic 1999 Catholic-Lutheran accord that insists Christianity believes that “by grace alone, in faith in Christ’s saving work and not because of any merit on our part, we are accepted by God” who equips and calls us to “good works.”


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Friday Five: Top religion journalists, Christian rock, rainbow-cross flag burning, Sarah Sanders doctrine

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We’ve mentioned a few of the winners in the Religion News Association’s annual Awards for Religion Reporting Excellence — including Ann Rodgers, Kimberly Winston and Rachel Zoll.

But be sure to check out the entire #RNA2018 contest list for more familiar, deserving names. Some names I recognized: Peter Smith, Peggy Fletcher Stack, Tim Funk, Sarah Pulliam Bailey, Emma Green, Elizabeth Dias, Bob Smietana, Jeremy Weber and Ted Olsen.

Congratulations to all of those honored for their work on the Godbeat!

Now, let’s dive into the Friday Five:

(1) Religion story of the week: Seriously, a story on Christian rock music is the story of the week!?

Hey, when GetReligion editor Terry Mattingly refers to a New Yorker piece on the Christian rock wars as “stunningly good,” pay attention. And as his post urged, read it all.


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