sacred art

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Familiar byline, new location and a complicated Hindu-temple-and-state puzzle

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Familiar byline, new location and a complicated Hindu-temple-and-state puzzle

Under normal circumstances, readers of The New York Times can click on a byline and learn more about the reporter behind a story.

At the moment, there is no URL embedded with the Times byline “Sarah Pulliam Bailey.”

However, faithful religion-news readers will recognize that byline after years of seeing it in The Washington Post (and several other familiar locations before that). Is this step one in a contributing writer role? Readers can only hope.

Now, what about the story under the byline? The double-decker headline is certainly dramatic and readers will discover, in this complicated feature, a story with some familiar church-state law overtones. How does one handle a Hindu-Temple-and-state reference in Associated Press Style? Oh, that headline:

A $96 Million Hindu Temple Opens Amid Accusations of Forced Labor

The temple in Robbinsville, N.J., about 15 years in the making, is believed to be the largest in the Western Hemisphere. But its construction has also been clouded in controversy.

This is a read-it-all story, for several reasons. It’s clear that this story is a door into more coverage of the legal and financial wrangling that are ahead.

Readers can see the essential DNA in this summary material near the top:

The recent opening of Akshardham Mahamandir in Robbinsville, N.J., was a historic moment for Hindus in New Jersey and beyond. The temple, about 15 years in the making, is believed to be the largest in the Western Hemisphere and is expected to draw religious pilgrims and tourists from all over the world.

It has also been clouded in controversy.

Federal law enforcement agents raided the temple construction site in 2021 after workers accused the builders, a prominent Hindu sect with ties to Prime Minister Narendra Modi of India and his ruling party, of forced labor, low wages and poor working conditions.


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Friends of Friendless Churches: Trying to save sacred pieces of past in England and Wales

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Friends of Friendless Churches: Trying to save sacred pieces of past in England and Wales

The structure of St. Baglan's Church in North Wales is simple, with plastered stone walls and whitewashed timbers between the slate slabs of its roof and floor.

The 13th Century sanctuary was rebuilt in the 1800s, but the carved doorway lintel dates from the 5th or 6th century. An adjacent field contains the 7th Century well of St. Baglan and for ages the faithful sought healing in its waters.

"This church was built on the site of an earlier church and there were sanctuaries here before that. People in Wales have been coming to sites like this for worship back into pre-Christian times," said Rachel Morley, director of the Friends of Friendless Churches since 2018.

During a visit to Llanfaglan parish in Wales, this tiny, abandoned sanctuary was surrounded by sea mists and low clouds from the mountains, she said. Then the sunset light over the Irish Sea "shot under the eaves and the church lit up inside with golden light. It was a complete sensory overload. That had to mean something."

Was this church designed so that this light would illumine the prayers of evensong? That's the kind of question members of the Friends of Friendless Churches have been asking since 1957, when Welsh journalist Ivor Bulmer-Thomas founded the charity with the help of poet T.S. Eliot, artist John Piper, British politician Roy Harris Jenkins and others.

The goal was to preserve historic, "significant" churches "threatened by demolition, decay, or inappropriate conversion." By the end of 2021, the charity will control 60 churches in England and Wales, almost all of them Anglican sanctuaries.

Year after year, the Friends of Friendless Churches watch as 30 or so truly historic churches go on sale and "there could be many more closed at any time," said Morley, reached by telephone.


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Why don't men like church? Sometimes a story is hard to see because it's just too common

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Why don't men like church? Sometimes a story is hard to see because it's just too common

This week's "Crossroads" podcast is rather different from the norm. Please allow me to explain why.

You see, this podcast is not about a story that is in the news. It's a discussion of a larger trend that I am convinced is helping shape some major trends -- in culture, in the church and, yes, often in the news.

Like what? Well, it is relevant to the rise of the "nones," especially the departure of young men from pews. It's also, I have long been convinced, linked to several hot-button debates about the Catholic priesthood. You could make a case that this trend -- centuries old, actually -- is helping fuel the decline of liberal Protestantism in the West, while also causing problems (to a lesser degree, statistically) in evangelical and Pentecostal sanctuaries.

Oh, and then there is that whole "Jesus is my boyfriend" issue in modern church music, in megachurch Protestantism and even in some liturgical circles.

We are talking about the fact that lots and lots of men just don't want to go to church. Go to most churches -- especially struggling churches -- and look around. What is the ratio of women to men?

I wrote a pair of columns about this and, frankly, I have been getting some interesting feedback from readers. People are not neutral on this subject, for sure. They either think this problem is real or they think that people who want to discuss the issue are (a) way too liberal, (b) way too conservative, (c) anti-women, (d) anti-Catholic tradition or some combination of the above (and I could have added lots of other factors that folks put in that mix.)

The columns were based on a series of lectures by the conservative Catholic writer Leon Podles, author of the controversial 1999 book "The Church Impotent: The Feminization of Christianity," that were delivered recently at Mount Calvary Catholic Church in downtown Baltimore. In a way, Podles -- a former federal investigator with a doctorate in English -- was updating the work in that book.


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Does the Bible’s ban on 'graven images' forbid icons and sacred art in church?

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Does the Bible’s ban on 'graven images' forbid icons and sacred art in church?

BRAD’S QUESTION:

Why don’t Catholics have a problem with the graven images that surround them in church?

THE RELIGION GUY’S ANSWER:

Brad is obviously Protestant in his cultural outlook. That is, Catholic and Eastern Orthodox churches encourage religious art in church, seen as aids to devotion.

Protestants’ policies vary (as on most things!) but they broadly unite with Judaism in limiting visual images in worship settings to avoid any association with idolatry. Some Protestants prohibit all art in sanctuaries. Others allow abstractions and symbols but not human or animal forms. Some may depict Jesus Christ or saints, typically in stained glass, rarely in statues, and never as the objects of veneration. Further, some forbid flags in church to prevent idolatry toward the nation.

The discussion begins with this from the Bible’s venerable Ten Commandments: “You shall not make for yourself a graven image, or any likeness of anything that is in heaven above, or that is in the earth beneath, or that is in the water under the earth; you shall not bow down to them or serve them” (Exodus 20:4-5, repeated in Deuteronomy 5:8 and summarized elsewhere, e.g. Leviticus 16:1). “Graven image” means a stature or carving, while “any likeness” covers any and all visual representations.

Jewish scholars say the ban applies to art only in worship contexts due to the “bow down” and “serve” phrasing along with the immediately preceding statement that “you shall have no other gods before me.”


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