When is preaching newsworthy?
News consumers of a certain age may remember this famous Associated Press headline: “Priest Told Children That Santa Claus Is Dead.”
More recently, a Catholic priest in County Kerry made headlines around the world when he dared to preach a sermon defending centuries of Catholic teachings on abortion, marriage and sex — while reminding the faithful that the concept of “mortal sin” is serious business. His bishop was not amused.
Thus, controversial sermons are news, in part because editors don’t expects sermons to be controversial?
The act of preaching can also become “newsy” when it is linked to a trendy subject in modern life. That’s the equation: Old thing (preaching) gets hitched to hip new thing.
Right now, one of the hot topics in the public square is the rise of artificial intelligence and, to be specific, the ChatGPT website. Thus, this week’s “Crossroads” podcast (click here to tune that in) focused on several “newsy” angles of the recent Associated Press story that ran with the headline, “Pastors’ view: Sermons written by ChatGPT will have no soul.”
In a way, this whole AI preaching topic is linked to another “preaching that is news” trend that shows up every now and then — plagiarism in the pulpit. Overworked, stressed-out pastors have been known to cut a few corners and use material from other preachers, without letting the faithful know what they were doing. But that’s actually a very old story. See this On Religion column that starts with a case study from 1876.
During the podcast, I riffed on the whole issue that different kinds of technology can shape the content of communications in different ways. If ChatGPT sermons have a sense of “soul,” it would be a “soul” that is defined by the creator of the software and the tech platform.
This made me think back the early 1990s, when I was teaching at Denver Seminary and asking future pastors to think about the many ways that mass-media messages shape the lives of their flocks and, of course, the unchurched people around them (here is an essay on that seminary work).
During that time, I read an article — on paper, alas — about how the creation of studio microphones changed the content of American popular music, even at the level of lyrics in love songs.
Think about Frank Sinatra. As a young big-band singer, he belted out bold, strong, LOUD songs about commitment and romantic love that would never die. He had to be heard over that big band. But give Sinatra a microphone and, well, these songs turned into smooth, soft, seductive messages — urgent whispers of desire.
I wondered: How did microphones affect the style and theological content of preaching?