So, in the end, was Prince Rogers Nelson a hero of the Sexual Revolution or someone who, as he grew more mature, was a heretic who -- in the name of a controversial faith -- rejected many of the sexy doctrines he previously celebrated?
I'm not sure that there's a definitive answer to that, especially when talking about someone as complex as Prince (or TAPKAP). But I do think that it was crucial for journalists to let their readers know that this was an important question to ask.
In the first stories about the artist's death, the emphasis was totally on Prince the gender-blurring hedonist. But as the day went on, a few counter themes began to emerge.
You could see the struggle (and that's kind of a compliment) most clearly in The Washington Post, where the first news reports about Prince were baptized in his sexy '80s glory, while a sidebar openly discussed changes linked to his decision to join the Jehovah's Witnesses.
In the final obit, the Post team hinted early and, at the very end, mentioned that many seemed afraid to mention. Here's the solid lede:
A musical chameleon and flamboyant showman who never stopped evolving, Prince was one of the music world’s most enigmatic superstars. He celebrated unabashed hedonism, sang of broken hearts and spiritual longing and had a mysterious personal identity that defied easy definition.
The obit hit all of the fine details of the sexy Prince, from erotic guitar eruptions to skimpy costumes. It was difficult, at times, to tell what was happening when, in terms of his music and stage personas. If he never stopped evolving, then it's crucial to be precise about the young prince vs. the mature Prince.
At the very end, the news story offered this: