Sometimes we forget how strange the Internet is, in terms of providing an environment for reading and sharing news stories and other features.

Readers used to be able to flip through their daily newspaper and know that they had a chance, in an orderly manner, to look at “everything” that was in those pages. Today, there is no way to know — for a variety of technical reasons — if you’ve looked at everything in the “daily” New York Times or any other news product . It all exists in a vast digital cloud of material that is always evolving and being updated. There is no logical sequence or form.

People find “news stories” with a search engine, they run into them on Facebook or people end them URLs in emails or texts. Often these articles are stripped of context — news or editorial, for example — and often the publication dates vanish, as well.

Thus, every now and then, GetReligion readers ship us a story that they think deserves praise or criticism. Sure enough, I’ll find that it’s amazing and start work on a post and then notice — oh no — that it’s actually several years old.

This happened to me the other day with a “feature” story from the Times with this headline: “Johann Sebastian Bach Was More Religious Than You Might Think.” Well, I love Bach. As far as I am concerned, the stunningly productive and brilliant Bach is either (a) evidence of intelligent life elsewhere in the universe, (b) the most important artist in the history of Western civilization or (c) both.

I dug into the piece and quickly realized that this essay by Michael Marissen, author of “Bach & God,” wasn’t a news feature and, on top of that, it ran in 2018. I’m sharing it as a weekend “think piece” because it is fascinating stuff and contains an interesting example of modern thinkers reaching conclusions about a historical figure — even though there is hard evidence that directly contradicts their views. This feature focuses on a piece of Bach material (not a piece of music) that I didn’t know about — with incredible implications for discussions of this cultural giant’s faith. Here is the overture:

Bach biographers don’t have it easy. Has there ever been a composer who wrote so much extraordinary music and left so little documentation of his personal life?