Jack Heaslip

What does it mean when a member of Pussy Riot shows up at a Christian arts festival?

What does it mean when a member of Pussy Riot shows up at a Christian arts festival?

You’ve all heard of Pussy Riot, the defiant all-female Russian punk band that got headlines back in 2012 when several of them interrupted a prayer service -- invading the altar area -- at the Christ Our Savior Orthodox Cathedral in Moscow with anti-Vladimir Putin chants. (Tmatt covered that here). 

Since then, these anarchist/feminists have been known for disrupting everything from a World Cup game to the Moscow subway. But they haven’t been particularly known for any religious sentiments, other than a song addressed to the Virgin Mary called “Punk Prayer: Mother of God, Drive Putin Away.”

So I was amazed to read a Religion News Service story about one of its members appearing at Greenbelt, a famous Christian music festival held in the U.K.

From its shock-effect name to its defiant activist tactics, little about the Russian band Pussy Riot would suggest that the punk group is on a holy mission.

But after an appearance last weekend (Aug. 26) at Greenbelt, the U.K.’s foremost Christian arts festival, Pussy Riot’s co-founder Maria Alyokhina explained that the act, beginning with the 2012 protest that resulted in two years in a labor camp, should be understood as a “Christian gesture.”

Pussy Riot is better known in the West for its feminism and political resistance -- which almost prevented Alyokhina from making her date at Greenbelt. The Russian authorities had barred her from boarding a plane earlier this month as she headed on a tour of British arts events, telling her she was forbidden to leave the country until she completed a 100-day community service sentence for taking part in an unauthorized protest in April.

But Alyokhina, 30, is not easily deterred. She drove instead, crossing at an unsecured section of the border, and kept going until she reached Lithuania, where she boarded a plane to Britain.

What the festival-goers in England got was Alyokhina and other members of her band putting on a show, called “Riot Days.”

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When faith enters the spotlight, should reporters dig into the personal details?

When faith enters the spotlight, should reporters dig into the personal details?

On one level, this past week's "Crossroads" podcast added a few extra layers of information to my recent Universal Syndicate "On Religion" column about the ministry of the late Father Jack Heaslip (video clip above), an Anglican priest who for several decades was the behind-the-scenes pastor to the members of U2.

But there's more to the podcast than that. Click here to tune into the whole discussion.

The key to the discussion is the conflicted feelings that I experienced, back in 2001, when I met Heaslip at a private gathering on Capitol Hill in which Bono address a strategic circle of Hill staffers who shared his convictions about hunger, AIDS and the Third World debt crisis.

The band's pastor asked if I was with the press and I admitted that I was. He said something like, "Well, we're here to hear that man speak," gesturing toward Bono, and slipped away to the back of the room.

I was very disappointed not to "land" a rare interview with this man, yet, at the same time, I admired the degree to which he managed to stay out of the spotlight and do his work without great fanfare. He didn't want to be turned into a "Father Jack Heaslip, secret pastor of U2 superstars!" headline. Instead, he wanted to continue his pastoral support for four men he had known since they were brash young teen-agers in the nondenominational school in which he was their guidance counselor.

So that journalistic tension is what the podcast is about, really.

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