Gospel music

Loretta Lynn: A tough, trailblazing woman whose edgy art included doses of grit and faith

Loretta Lynn: A tough, trailblazing woman whose edgy art included doses of grit and faith

If you know Nashville, then you probably know that there is nothing new about major country music stars also being Christian believers. In fact, it’s probably worthy of a headline or two if and when superstars send signals that they’re NOT at home in the Bible Belt.

That being said, I am still amazed when journalists produce stories about country artists and edit out the details in their lives and music that point toward faith. It happens all the time.

I’m not just talking about musicians putting a gospel song or two in their set lists when touring, as a kind of music-history exercise. I’m talking about reporters missing revelations in autobiographies, social-media statements to fans or mini-sermons on stage. I’m talking about passing up chances to talk with pastors who have known performers for years.

This brings me to the death of honky-tonk angel herself, Loretta Lynn — the matriarch for a generation or more of female artists in guitar town. As you would expect, the obits following her death stressed — with good cause, let me stress — her daring hit songs about blue-collar American life, with strong doses of reality about hard times, troubled homes, cracked marriages and lots of other sobering subjects.

Which is why, to cut to the chase, it’s even more important that this legend turned to Christian faith as an adult, in the midst of all that gritty stuff. Hold that thought. Here is a chunk of the Associated Press report that will appear in most American newspapers:

The Country Music Hall of Famer wrote fearlessly about sex and love, cheating husbands, divorce and birth control and sometimes got in trouble with radio programmers for material from which even rock performers once shied away.

Her biggest hits came in the 1960s and ’70s, including “Coal Miner’s Daughter,” “You Ain’t Woman Enough,” “The Pill,” “Don’t Come Home a Drinkin’ (With Lovin’ on Your Mind),” “Rated X” and “You’re Looking at Country.” ...

Lynn knew that her songs were trailblazing, especially for country music, but she was just writing the truth that so many rural women like her experienced.

“I could see that other women was goin’ through the same thing, ‘cause I worked the clubs. I wasn’t the only one that was livin’ that life and I’m not the only one that’s gonna be livin’ today what I’m writin’,” she told The AP in 1995.

All true.


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It's hard to miss the facts about faith, and scripture, in Tennessee QB Hendon Hooker's life

It's hard to miss the facts about faith, and scripture, in Tennessee QB Hendon Hooker's life

This post has nothing to do with the game in which the University of Tennessee Volunteers hung on to defeat the Gators of the University of Florida (click here for highlights).

Well, there is some connection. But the goal here is, once again, to urge sports journalists to listen to what many athletes have to say when asked questions about what makes them tick — as people and as leaders in their sports communities. I’ve written a hundred or so posts (it seems) on this subject during the past 18 years or so.

Consider this a refresher memo on that topic, since Vols senior quarterback Hendon Hooker — after the post-game shows this past weekend — has officially entered the Heisman Trophy chatter zone.

In this case, Hooker isn’t the stereotypical athlete who uses vague God-talk during sideline interviews or in his post-game press conferences. While that kind of language can be important, I have always thought that journalists need to look for deeper signs of faith — in friendships, family ties and concrete actions in daily life.

Thus, let me note a story of two in East Tennessee media that spotted crucial faith facts about this calm, steady quarterback and worked them into a sports-page basic — the pre-game rituals feature. The headline at the Knoxville News Sentinel read: “How Hendon Hooker will calm his nerves before Tennessee football plays Florida.” The faith issue even made it into the overture:

Neyland Stadium will be rocking before Tennessee football plays Florida … , but Hendon Hooker will go into slow-jam mode and lean on his faith.

ESPN’s College Gameday will rev up the crowd. Checker Neyland will create quite a scene. And the sellout crowd will shake the stadium moments before the Vols run through the Power T.

A few lines later there is this basic quote:

“I just go into meditation mode and put my gospel playlist on,” Hooker said Monday. “I really just listen to a lot of slow jams and really just relax. I kind of go through the locker room and dap up everyone, just to make sure that I’m ready to roll. And they give me the reassurance back by the look in their eyes that they’re ready to roll too.”


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Plug-In: Has Nashville become the 'new frontier' of today's religion news universe?

Plug-In: Has Nashville become the 'new frontier' of today's religion news universe?

Twenty years ago, I moved to Nashville, Tennessee, to work for The Associated Press.

I spent less than a year in Music City before transferring to Dallas, but oh, what a fun 11 months for a religion reporter (and country music fan).

I covered the fight over a proposed Tennessee lottery and a prayer service on the night the Iraq War began, but some of my favorite stories were less weighty:

A profile of a man who paid children $10 each to learn the Ten Commandments (until 15,000 “memorization affidavits” from across the nation flooded his mailbox after my story ran).

A feature on Gospel Music Week, when some of Nashville’s most popular bars and nightspots traded lying-and-cheating songs for hymns about prayer and redemption.

An interview with the 104-year-old widow of a famous Black traveling evangelist.

Blame Liam Adams, The Tennessean’s religion reporter, for this trip down memory lane.

In a fascinating deep dive published this week, Adams and his colleague Cole Villena delve into “Williamson County, the suburban ‘new frontier’ for American evangelical Christianity.”

“An already heavily Christian area is on track to become a capital of evangelicalism in the U.S.,” the story asserts, referring to the fast-growing county south of Nashville.

I pointed out to Adams on Twitter that my family lived in Williamson County — Spring Hill, to be precise — in our brief time in the Nashville area.

“All religion reporting roads lead through greater Nashville apparently,” chimed in Christianity Today’s Kate Shellnutt, herself a former Nashville resident.


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Chris Hillman of the Byrds on fame, faith and the roots-music ties that bind

Chris Hillman of the Byrds on fame, faith and the roots-music ties that bind

The Byrds' classic "Turn! Turn! Turn!" didn't sound like anything on the radio when it hit No. 1 on the Billboard charts in 1965.

For starters, the lyrics came from the Book of Ecclesiastes, noting "there is a season, and a time for every purpose, under Heaven. A time to be born, a time to die. A time to plant, a time to reap. A time to kill, a time to heal. A time to laugh, a time to weep."

What critics failed to realize, said Byrds co-founder Chris Hillman, was that covering the late Pete Seeger's classic was a logical move for musicians steeped in American roots music. Songs about struggle, glory, sacrifice and faith were common in early '60s folk concerts.

"Where did all of our music come from? Blues and Gospel. … White church, black church, the music all came from church," said Hillman, in a recent interview. "With the Byrds, we went right to that well. We didn't think twice about it. We didn't say, 'We can't do a Christian song.' "

Hillman's musical roots became more obvious as the Byrds ventured into what many started calling "country rock," especially with the landmark "Sweetheart of the Rodeo" album in 1968. Bluegrass, country and Gospel themes played a larger role as Hillman began writing songs for the Byrds and his later bands.

While the Byrds put him in the Rock & Roll Hall of Fame, it was Hillman's grassroots connections that made history, according to the legend who produced his "Bidin' My Time" solo project in 2017. The late Tom Petty said: "Chris was a true innovator -- the man who invented country rock. Every time the Eagles board their private jet, Chris at least paid for the fuel."

That musical and spiritual journey is clear in Hillman's recent autobiography, "Time Between," with its mix of rock lore and personal reflections. Rather than offering a tell-all about sex, drugs and rock 'n' roll, Hillman focuses on lessons he learned along the way and his love for the musicians who, flaws and all, helped him.


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