In about a week, Seneca Falls, N.Y., will be hosting a celebration of the 70th anniversary of the release of filmmaker Frank Capra's classic (more to come on that adjective) Christmas classic, "It's a Wonderful Life."

This town was the model, in many ways, for Capra's vision of the fictional Bedford Falls, home of the angry, but blessed, dreamer named George Bailey, portrayed in the film by the great Jimmy Stewart. Some of the events will be held, I am sure, at the town's It's a Wonderful Life Museum.

I wrote about the ongoing interest in this film this week in my On Religion column for the Universal syndicate, after interviewing Catholic film critic Steven D. Greydanus and digging through my old copies of "The It's a Wonderful Life Book" and "The Name Above the Title," Capra's chatty, but at times philosophical autobiography.

That led to this week's Crossroads podcast (click here to tune that in), in which host Todd Wilken and focused on a two-part question: (1) Is there any real news in the anniversary of this film and (2), while we are at it, what are journalists to make of the fact that "It's a Wonderful Life" remains so popular AND controversial?

Well, I think it's likely that some feature writers will cover the Seneca Falls events as a hook for coverage of the anniversary – period. However, the real question is whether anyone will probe deeper, exploring the debates that have raged about this film since it was first released (and flopped at the box office).

What kind of debates? That's where you get into the details of Capra's whole worldview – which is both Catholic and fiercely American – and the film's unique blend of stark darkness, even anger, and light. The key is that you really need to watch the whole movie, not just the joyful end of the famous final act.

As a clue to the contents of the podcast, let's compare two different views of this movie. First, there is this material from the values section of the Vatican's Best Films List:

This well-known film directed by Frank Capra is made great by the acting of Jimmy Stewart as a genuinely good man who resigns himself to having all of his life plans thwarted by his duty to his community and family. Sometimes vocation is more about doing one’s duty than fulfilling one’s desires. It is only when Stewart’s character submits entirely to his calling, and sees what good he has done for others in his life, that he realizes that his life has been worth living.