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New podcast: What's God got to do with it? There's more to Hillsong drama than celebrities

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Nearly 40 years ago, I wrote a story for The Charlotte Observer about a rapidly growing megachurch on the south side of town. Yes, there were megachurches back then. In fact, there were already academics studying the factors that turned ordinary churches into megachurches.

Hang in there with me, because I’m working my way to the topic at the heart of this week’s “Crossroads” podcast (click here to tune that in), which focuses on the New York Times coverage of the fall of that hip Hillsong preacher in New York City.

Anyway, this Charlotte church was fascinating because it had strong Presbyterian roots and its creation was linked to splits that were already taking place in the world of mainline Protestantism. This was not a rock-band-and-lasers church. It was offering conservative Reformed-Calvinist thought with a style that a bit more suburban than your ordinary Presbyterian congregation.

It was clear, at least to me, that the preaching was the key to this story. This was a mainline-esque church where they were still talking about salvation, sin, heaven and hell — all in a dramatic, but intelligent way. So I ended my long feature story with a big chunk of a sermon, built on images of heaven and the end of all things. This led into an altar call and more people streaming forward to join the church.

That works, when you’re in Billy Graham’s hometown. Bit didn’t work for a key editor. One newsroom wit once said that this particular journalist “grew up Unitarian, but then he backslid.” He wanted that ending removed. I stood my ground and — here’s the point — argued that what this church was proclaiming, in terms of doctrine and faith, was a crucial element in its success. This wasn’t just a story about politics, real estate and zoning laws. The editor just couldn’t GET IT. A short version of the ending made it into print.

So back to Hillsong. During the five years that I did some part-time teaching in New York City (on the ground there eight weeks or so, each year), I had lots of students who went to Hillsong. They talked about the music. They talked a lot about the preaching. Yes, they talked about the excitement of being in that crowd and feeling like they were part of all that.

It was clear to me that this Hillsong operation — in the world’s Alpha City — was a big story.

The journalism question is this: To what degree should the faith content at Hillsong, and even the DNA of sermons by the Rev. Carl Lentz, play a significant part of a story about Hillsong NYC and the scandal that took down its leader?


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New York Times went tone deaf when Matthew McConaughey started talking about God

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Let’s see. I feel an urgent need, right now, to write about news coverage that has nothing to do with Donald Trump, Joe Biden or Theodore “Uncle Ted” McCarrick.

There is, you see, a side of my journalism personality linked to those long-ago days when I was an entertainment reporter-rock columnist. Also, when I taught at a seminary, I spent most of my time trying to get future pastors, religious educators and counselors to realize that, for ordinary Americans, “signals” sent via entertainment matter way more than those in news content. That’s tragic, but true.

So let’s flashback to that New York Times feature that ran not so long ago under this headline: “Matthew McConaughey Wrote the Book on Matthew McConaughey.” Let’s skip the second deck of that headline since it contained the obligatory reference to “all right, all right, all right (or in Texan, that would be '“alright” or some other spelling with an extra “w” or “h” in there somewhere).”

I was curious if this book — or perhaps I should say this Times feature about the book — would make any references to this complex superstar’s take on Christian faith. Maybe a reference to his infamous, by Hollywood standards, Oscar acceptance speech in 2014? You remember, when he said:

First off I want to thank God, because he's the one I look up to, he's graced my life with opportunities that I know are not of my hand or any other human kind. He has shown me that it's a scientific fact that gratitude reciprocates. In the words of the late (British actor) Charlie Laughton, who said, 'When you got God, you got a friend and that friend is you.’ “

There was more, but we’ll leave it at that. It was kind of a short “Pilgrim’s Progress” with his trademark twang.

The Times feature does use the safe b-word — “beliefs” — but doesn’t seem very interested in the who, what, when, where, why and how. Thus, readers are told:

... McConaughey wants readers to look beyond the boldface name on its cover and focus on its fundamental message. No one can escape hardship, he said, but he can share the lessons “that helped me navigate the hard stuff — like I say, ‘get relative with the inevitable’ — sooner and in the best way possible for myself.”


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Impact of online confusion? Many, many young Americans just don't get the Holocaust

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Impact of online confusion? Many, many young Americans just don't get the Holocaust

It was the kind of open-ended question researchers ask when they want survey participants to have every possible chance to give a good answer.

Thus, a recent 50-state study of Millennials and younger "Generation Z" Americans included this: "During the Holocaust, Jews and many others were sent to concentration camps, death camps and ghettos. Can you name any concentration camps, death camps or ghettos you have heard of?"

Only 44% could remember hearing about Auschwitz and only 6% remembered Dachau, the first concentration camp. Only 1% mentioned Buchenwald, where Nobel Laureate Elie Wiesel was a prisoner when the American Third Army arrived.

Another question: "How was the Holocaust carried out?" While 30% knew that there were concentration camps, only 13% remembered poison-gas chambers.

"That was truly shocking. I have always thought of Auschwitz as a symbol of evil for just about everyone. … It has always been the ultimate example of what hate can lead to if we don't find a way to stop it," said Gideon Taylor, president of the Conference of Jewish Material Claims Against Germany.

It was a sobering "wake-up call," he added, to learn that half of the young Americans in this survey "couldn't name a single concentration camp. … It seems that we no longer have common Holocaust symbols in our culture, at least not among our younger generations."

Popular culture is crucial. It has, after all, been nearly 30 years since the release of Steven Spielberg's "Schindler's List," so that landmark movie isn't a cultural reference point for many young people. And it's been 20 years since the original "X-Men" movie, which opens at the gates of Auschwitz, and almost a decade since "X-Men: First Class," which offered a variation on that concentration-camp imagery.

Old movies and school Holocaust-education materials, said Taylor, are clearly being buried in information from social media and Internet search engines.

"The world has changed so much in terms of how information is transmitted," he said, reached by telephone. "Obviously the Internet has transformed how young people take in stories and information. … Twenty years ago, we could assume that most students were being exposed to books by Elie Wiesel" in history classes or "movies like 'Schindler's List' or 'Sophie's Choice.' We cannot assume this anymore."


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Saints, heroes and one superhero: Man behind the Black Panther wasn't just another movie star

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Saints, heroes and one superhero: Man behind the Black Panther wasn't just another movie star

Early in the coronavirus crisis, and this summer's wave of chaos in American streets, Rachel Bulman began paying close attention to the faces in news reports.

She also found herself thinking about a hero -- the Black Panther.

Born in the Philippines before being adopted, the Catholic writer has -- as a daughter, wife and mother -- lived her life in White America. As a child, she didn't look like her family. Now, her children are growing up "knowing that they just don't look like everyone else. … Our family has its own story," she said.

Bulman responded by hanging images of saints from Africa, Asia, Latin America and elsewhere in their home. There was St. Josephine Bakhita from the Sudan and an icon of St. Augustine with darker skin, since his mother was from North Africa's Berber tribe. There was St. Juan Diego of Mexico, who encountered Our Lady of Guadalupe, and Sister Thea Bowman of Mississippi, the granddaughter of slaves, whose cause for sainthood has been endorsed by America's bishops.

"I wanted my children to see all kinds of saints and heroes, including some with faces kind of like their own," she said.

Bulman had also become interested in the Marvel Comics universe and the symbolic role of King T'Challa -- the Black Panther -- for millions of Black Americans, especially children. She was stunned when actor Chadwick Boseman died at age 43 after a long, private fight with colon cancer. He endured years of chemotherapy and multiple surgeries while filming "The Black Panther" and related Avenger movies.

Searching through press reports, Bulman noted colleagues referring to Boseman as a "man of faith," a "beautiful soul" and someone with a "spiritual aura" about his work with others -- including children with cancer.

At a memorial rite for Boseman, his former pastor at Welfare Baptist Church in Anderson, S.C., said the actor remained the same person he knew as a young believer.

“He's still Chad," said the Rev. Samuel Neely. "He did a lot of positive things. … With him singing in the choir, with him working the youth group, he always was doing something, always helping out, always serving. That was his personality."

Digging deeper, Bulman said she "cried all the way through" a video of Boseman's 2018 commencement address at Howard University, his alma mater.


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Podcast: Was Chadwick Boseman's faith a crucial part of his struggles and triumphs?

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One of the most powerful roles that mass media play in modern life is the ability to determine who is “cool” and who is not.

During this week’s “Crossroads” podcast (click here to tune that in), host Todd Wilken and I discussed how this “cool” factor is not just a matter of style. In the modern world, “cool” tells us who is worthy and who is unworthy, who is smart and who is not, who is wise and who is ridiculous, who is a leader worthy of trust and who is not.

That was a key factor in my post this week about Baltimore Ravens superstar Lamar Jackson and the massive Sports Illustrated profile about his life and talent that didn’t seem very interested in his faith and the biblical reasons for the number on his jersey. Maybe his faith just isn’t “cool”? (Click here for “Hey SI: Is this an important fact? Why does Lamar Jackson wear the number 8 on his back?”)

With that in mind, let me do something that isn’t the norm here at GetReligion, which is turn to scripture. In this case, read the following from 1 Corinthians, chapter 3:

Who then is Paul, and who is Apollos, but ministers by whom ye believed, even as the Lord gave to every man?

I have planted, Apollos watered; but God gave the increase. So then neither is he that planteth any thing, neither he that watereth; but God that giveth the increase.

Now he that planteth and he that watereth are one: and every man shall receive his own reward according to his own labour. For we are labourers together with God: ye are God's husbandry, ye are God's building.

Now, let’s turn our attention to the some of the coverage of the recent death of Hollywood superstar Chadwick Boseman, who died of cancer at age 43. In particular, I want to praise a pair of stories at Religion News Service.

But, first, invest some time and watch the amazing commencement address Boseman delivered two years ago at his alma mater, Howard University (or scan this CNN transcript). As the speech builds, in a quiet but strong crescendo, watch Boseman’s eyes.


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Got news? Some members of Class Of COVID-19 heard faith talk at commencement

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The late spring is typically marked by graduation ceremonies, with schools across North America handing out their undergraduate degrees to students after four years of college. Like everything else in society that involves large gatherings, the global pandemic has forced many schools to either hold their ceremonies online or postpone them to a future date.

For the colleges and universities that did decide to hold ceremonies this month, the topic of God wasn’t far from the minds of some commencement speakers. It’s not surprising given how the contagion has led to the death of thousands of people around the world, forcing stores to shutter and in the process destroying economies.

Many institutions of higher education — especially Protestant and Catholic ones — have decided to postpone in-person graduation ceremonies to later this year in the hopes that coronavirus infections have either subsided or that a vaccine makes social distancing measures obsolete. Like classes that went online this spring, so did many commencement exercises. While it wasn’t the graduation ceremony many had expected, these remote ceremonies to honor seniors were seen as a necessary sendoff.

God and graduation isn’t a new thing, a topic highlighted by several speakers last year.

The son of a Pentecostal minister, Hollywood superstar Denzel Washington — speaking at Dillard University’s commencement in New Orleans in 2015 — famously said: “Number one: Put. God. First. Put God first in everything you do. Everything that you think you see in me. Everything that I’ve accomplished, everything that you think I have — and I have a few things. Everything that I have is by the grace of God. Understand that. It’s a gift.”

Below is a roundup of notable virtual commencement addresses that featured faith:

TOM HANKS (WRIGHT STATE UNIVERSITY)

Hollywood star Tom Hanks delivered a virtual commencement speech on May 2 during a surprise message to graduates of Wright State University in Dayton, Ohio.

The actor, who famously played the iconic Mister Rogers in the movie A Beautiful Day In The Neighborhood, was raised in Roman Catholic and Mormon household, and described himself as a “Bible-toting evangelical” during his teen-age years. Hanks, who became Greek Orthodox as an adult and attends church regularly, wasn’t afraid to use religious language in his message.


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100 years of all kinds of Catholics -- good and bad -- going to confession in movies

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100 years of all kinds of Catholics -- good and bad -- going to confession in movies

Alfred Hitchcock knew a thing or two about complicated thrillers.

Having a murderer confess to a priest -- who couldn't betray this trust -- was already a familiar plot twist by 1953, when Hitchcock released "I Confess." Because of the seal of confession, this noble priest couldn't even clear his own name when police suspected that he was the killer.

Good prevails in the end. Shot by police, the killer makes an urgent final confession to the priest.

"It's natural for a Catholic filmmaker like Hitchcock to see the dramatic potential of confession, with its combination of mystery and holiness," said film critic Steven D. Greydanus, best known for his work for the National Catholic Register. "At the same time, Hitchcock thought 'I Confess' was a mistake, because he thought that his mostly Protestant audience in America just wouldn't get it."

The sacrament of confession is both sacred and secret -- facts known to Medieval playwrights as well as modern filmmakers. Thus, putting a confession rite on a movie screen is a "transgressive act" of the highest kind, said Greydanus, who serves as a permanent deacon in the Diocese of Newark, N.J. (Deacons do not hear confessions.)

"Voyeurism is an important theme in much of Hitchcock's work and he knew that using confession in this way was a kind of voyeurism. … He knew this was a kind of taboo."

Nevertheless, Hollywood scribes have frequently used confession and penance for everything from cheap laughs ("A League of Their Own"), to shattering guilt (Godfather III), to near-miraculous transformations ("The Mission"). In a recent 6,000-word essay -- "In Search of True Confession in the Movies" -- Greydanus covered a century of cinema, while admitting that he had to omit dozens of movies that included confession scenes.

The key is that filmmakers struggle to capture, in words and images, what is happening in a person's heart. The act of confession opens a window into the soul, since characters are forced to put their sins and struggles into words.

"Perhaps the very secrecy surrounding the sacrament of confession was part of what attracted filmmakers to depict it," wrote Greydanus. "Anyone can witness the Eucharistic liturgy, an ordination or a wedding. …

“But what transpires in confession can only be imagined -- which is the cinema's stock in trade. … Often enough, confession scenes have served in movies as a pretext to allow a character to articulate their spiritual or temporal struggles, whether or not any kind of sin is involved."


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Calling BS on NC-17

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The Ringer has published an odd report by Keith Phipps that traces the doomed path of the NC-
17 rating in a time when streaming TV has eclipsed the importance of films. Its headline is an
engaging two-sentence summary: “Thirty Years Ago, Hollywood Won the Battle Against the X
Rating. But It Lost the War.”

Phipps devotes nearly 2,600 words to this topic.

You just know that simple-minded religious people play a major role in this drama. His one reference to cultural conservatives (“a religious right eager to protest whatever they [sic] felt to be an affront to their values”) is as predictable as a media release from Americans United. He adds this:

“They didn’t lack targets and, in fairness, those targets felt closer at hand thanks to neighborhood video stores with curtained ‘adults only’ sections and scandalous music videos just a click away on cable.”

That’s as far as the fairness extends, though. This isn’t hard-news journalism, of course. Still, it would have been nice — interesting even — to see some serious discussions of the views of people on both sides of this issue. Diversity is often interesting.

Phipps makes no effort to demonstrate such eagerness or easily affronted values, but simply notes
these factors as though they were universally established realities.

But here comes an informative turn, as Phipps presents a few examples of films that were
harmed by the dreaded adjective controversial:

Though ultimately more talked about than seen, Jean-Luc Godard’s 1985 film Hail Mary — featuring a modern day retelling of the nativity story — earned protests and the condemnation of Pope John Paul II. But that was a mere prelude to what greeted Martin
Scorsese’s The Last Temptation of Christ in 1988. …


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Devil in the details: Italian exorcist describes lifelong battle against demons and the occult

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At a time when the planet is gripped by a pandemic, science and faith have again come into conflict in the public square, including news reports.

That nagging age-old question about good versus evil (“theodicy”) and the role of God in our lives is on the minds of many (click for tmatt “On Religion” column) while our houses of worship remain shut down for safety reasons.

To be blunt: Debates about the nature of evil now loom over many front-page headlines.

It is in this quarantine life of ours that the book “The Devil is Afraid of Me: The Life and Works of the World’s Most Famous Exorcist” has hit our bookshelves. Open-minded journalists may want to check this one out.

While most people think of the Hollywood version of good versus evil as portrayed in the 1973 movie “The Exorcist “(which would end up spawning a series of less-than-spectacular squeals), this book assures us that the fight against Satan should not be trivialized as part of an afternoon watching a Halloween movie marathon.

The book (originally in Italian and now available in English through Sophia Institute Press) goes into great detail into the life and times of Father Gabrielle Amorth, a Catholic priest who performed scores of exorcisms over his lifetime. The book, edited by a fellow Italian priest named Marcello Stanzione, delves into great detail regarding Amorth’s biggest cases of demonic possession over the years.

While the English translation from the original is, at times, a little stilted, this is a book that forces the reader to explore the supernatural and try to grasp how the fight against evil can take on many forms.

Amorth claims to have conducted some 100,000 exorcisms over a 30-year span before his death in 2016 at the age of 91. Beloved in Italy, Amorth may be the world’s most famous exorcist, but he isn’t alone. Some 200 priests around the world are tasked with taking on demons following the consent of a local bishop.

Amorth was just one of the most famous since he worked in Rome and gained a high-profile thanks to his books and many TV and radio appearances.


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