culture

Shia LeBeouf converts to Catholicism: News coverage -- good and bad -- focuses on redemption

Shia LeBeouf converts to Catholicism: News coverage -- good and bad -- focuses on redemption

Celebrity news coverage and religion couldn’t be more polar opposites most of the time. Coverage of actors, models and others in the entertainment industry often resembles a list for the seven deadly sins.

Every so often, the world of celebrity and faith intersect. When they do, the mainstream press doesn’t know what to do with it, creating tone-deaf coverage similar to sports stories containing what GetReligion has long called religion “ghosts.”

Meanwhile, the religious press — I’m referring to Catholic media in this case — love to jump on this kind of story. This has certainly been the case with actor Shia LaBeouf this summer and public statements regarding his conversion to Catholicism.

It’s a textbook case of the mainstream press largely ignoring such an announcement, while the Catholic press can’t get enough of it. When the mainstream press did cover LaBeouf’s interview, it was in the context of his troubled personal life. For some journalists in the Catholic press, he became a poster child for upholding tradition and the Latin Mass against the more progressive forces in the church.

Depending on who and what you read, LeBeouf’s conversion story is either a farce, something to be celebrated or something to be feared.

LaBeouf, like many in his profession, does interviews primarily to promote specific movies and their careers overall. While promoting his new film “Padre Pio,” which premiered at the Venice International Film Festival, LaBeouf announced that he had converted to Catholicism. The movie is based on the life of Padre Pio, an Italian Franciscan Capuchin friar famous for exhibiting stigmata most of his life. He was canonized as a saint by Pope John Paul II in 2002.

The former “Transformers” star made it known that he was now a practicing Catholic during an Aug. 25 appearance on Bishop Robert Barron’s show “Conversations at the Crossroads.” The YouTube link alone has generated over 1.3 million views.

Here is where the celebrity news coverage got interesting.


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In story about Muslim women art exhibit, follow-up questions are not on the menu

Ever taste only part of a good meal? An article on an art exhibit on Muslim women in the Tampa Bay Times feels like that.

The Times raises several tantalizing questions about Muslim women -- their garb, their self-image, their public image -- but doesn't follow up most of them. The result reads less like dinner and more like a canape. 

It's a timely and urgent topic because traditional Muslim women  face more profiling than so Muslim men. With headdresses variously covering their hair, or wrapping around their necks as well, women are instantly identifiable as non-Jews or non-Christians -- and non-secular people, for that matter. So "Loud Print," the show at the Carrollwood Cultural Center, has the potential to open some eyes.

The artist, Ameena Khan, seems acutely aware of the issues herself:

Khan uses her artwork to initiate conversations about Muslim women. Her paintings portray a diverse group of women wearing hijabs, a cloth wrapped around their heads. One of the most striking paintings shows a woman struggling to keep her head up because her yellow hijab is so big. It's meant to represent the struggles Muslim women face wearing a hijab in public.
Meant to keep Muslim women hidden, the hijab seems instead to draw unwanted attention and sometimes hateful comments, Khan said. 
"You have this burden that you're carrying around," she said. "That's all people see."

Sounds pretty evocative, but it stops short. If a woman's most prominent garb is a symbol of her religion, and if a hijab is meant to keep women hidden, how are people to see the individual underneath? How is she to express herself otherwise? The Times doesn't say.

It does explain the idea of starting a conversation about Muslim women -- partly. Interestingly, the artist did it via social media:


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Washington Post story on same-sex marriage in Oklahoma is long on emotion, short on religious insight

Since I live in Oklahoma, this Washington Post headline caught my attention:

Deeply conservative Oklahoma adjusts to sudden arrival of same-sex marriage

I'm not sure what I expected when I clicked the link. 

I guess I hoped the Post would go below the surface and not rely on easy stereotypes to characterize the beliefs and attitudes of my fellow Oklahomans.

To a certain extent, this in-depth piece — produced by a Style section writer — does that, focusing on one lesbian couple's decision to marry and the reactions they receive from friends and family.

A top newspaper reporter here in Oklahoma tweeted the link and called it a "great story." My reaction is more mixed. On the one hand, the Post does a pretty nice job of highlighting the emotional experience of the couple featured. On the other hand, the newspaper avoids any meaty exploration of religion, an obviously key factor at play in this state — and in this story — but one that the Post relegates to a cameo role.


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