So, now that the big splash is over in Rome, does anyone need to take the time to read “In the Closet of the Vatican: Power, Homosexuality, Hypocrisy” by the French LGBTQ activist Frédéric Martel?
That’s the English title. In other parts of the world the book was given an even more provocative title — “Sodoma.”
Everyone agrees, basically, that the book contains some serious allegations about gay life and gay power networks in Catholic life, and the Vatican to be specific.
But what has Martel been able to document with solid, journalistically respectable information? On many crucial points, everything depends on whether readers are inclined to accept the accuracy of the author’s “gaydar,” that gay extra sense that tells him — based on issues of culture, style and his own emotions — whether this or that person (or pope, even) is gay.
This is your rare chance to read radically different cultural voices attack the same book for some very similar reasons. For starters, it doesn’t help when — the critics agree — a book is packed with factual errors and appears to have been edited by someone with years of experience in supermarket tabloid work.
I mean, check this out: Rod “Benedict Option” Dreher pointing readers toward an essay by Michael Sean Winters of The National Catholic Reporter?
Here is a choice bite of Winters review:
Martel sees gay influence everywhere. He has a whole chapter on Jacques Maritain, the gist of which is this: "To understand the Vatican and the Catholic Church, at the time of Paul VI, or today, Jacques Maritain is a good entry point." Why? "I have gradually understood the importance of this codex, this complex and secret password, a real key to understand The Closet. The Maritain code." He mentions in passing that Maritain is the father of Christian democracy, and mentions not at all that Maritain's reading of Thomas Aquinas is critical in understanding how the Second Vatican Council came to many of its conclusions. None of that really matters. The key is that he hung out with gay writers.
Such stereotypes would be denounced as sheer bigotry if they came from a straight man (and would not get reprinted in NCR). Why is Martel given a pass to traffic in them because he is gay? Bigotry is repugnant no matter the source.