Death of a post-theist shepherd: The unorthodox faith of Bishop John Shelby Spong

Newark Bishop John Shelby Spong never stuck "Why Christianity Must Change or Die" on the doors of Canterbury Cathedral, since it was easier to post a talking-points version of his manifesto on the Internet.

"Theism, as a way of defining God is dead," he proclaimed, in 1998. "Since God can no longer be conceived in theistic terms, it becomes nonsensical to seek to understand Jesus as the incarnation of the theistic deity."

Lacking a personal God, he added, it was logical to add: "Prayer cannot be a request made to a theistic deity to act in human history in a particular way."

Spong's 12-point take on post-theism faith emerged after spending years on the road, giving hundreds of speeches and appearing on broadcasts such as "The Oprah Winfrey Show" and "Larry King Live." While leading the Episcopal Diocese of Newark, within shouting range of New York City, he did everything he could to become the news-media face of liberal Christianity.

By the time of his death at the age of 90, on Sept. 12 at his home in Richmond, Va., Spong had seen many of his once-heretical beliefs -- especially on sex and marriage -- normalized in most Episcopal pulpits and institutions. However, his doctrinal approach was too blunt for many in the mainline establishment, where a quieter "spiritual but not religious" approach has become the norm.

Spong called himself a "doubting believer" and said he had no problem reciting traditional rites and creeds because, in his own mind, he had already redefined the words and images to fit his own doctrines. He also knew when to be cautious, such as during Denver visit in the late 1980s -- an era in which the Diocese of Colorado remained a center for evangelical and charismatic Episcopalians.

After a lecture at the liberal St. Thomas Episcopal Church, I asked Spong if he believed the resurrection of Jesus was an "historic event that took place in real time."

"I don't think that I can say what the disciples believed they experienced. I'll have to think about that some more," he said, moving on to another question.

Norm Macdonald: Theological mysteries, a red-brick wall, a spotlight and a microphone

While debating heretics, early Christians used the Greek term "hypostasis" -- meaning "substance" and "subsistence" -- to help define their belief in the Incarnation of Jesus as one person, yet with divine and human natures.

This "hypostatic union" is not the kind of subject a comedian typically raises on a TV talk show while chatting about mortality with a Hollywood legend. Then again, Norm Macdonald -- who died on September 14 after a secret nine-year fight with cancer -- wasn't a typical funny man. He openly identified as a Christian, while making it clear that he didn't consider himself a very good one.

During an episode of "Norm Macdonald has a Show," the former Saturday Night Live star asked Jane Fonda -- who at one point briefly embraced evangelical Christianity -- this question: "Are you a religious person?"

"I have faith," said Fonda. The host quickly asked, "In Jesus Christ?" Hesitating, Fonda called herself "a work in process," saying she accepted "the historical Jesus."

Macdonald responded: "But do you believe in the hypostatic Jesus?"

When Fonda said "no," he added, "So, you're not a Christian. But you believe, you believe in something."

Raised vaguely Protestant in Canada, Macdonald didn't discuss the brand-name specifics of his faith, even as he wrestled with his own demons -- such as habitual gambling. Yet he could be stunningly specific when addressing criticisms of Christian beliefs. As a judge on NBC's "Last Comic Standing," he quietly shot down a contestant who trashed the Bible, before praising the Harry Potter series.

"I think if you're going to take on an entire religion, you should maybe know what you're talking about," said Macdonald. "J.K. Rowling is a Christian, and J.K. Rowling famously said that if you're familiar with the scriptures, you could easily guess the ending of her book."

The result was a public persona laced with paradoxes, an edgy, courageous comic who often seemed unconcerned if his work pleased the public or his employers.