Facts are such awkward things. This is especially true when dealing with complicated, emotional topics linked to religion.

Thus, there is a book by veteran reporter Mark Pinsky of Orlando, Fla., that religion-news specialists — or journalism students who are interested in the beat — needs to have on the shelf near their desks.

No, not “The Gospel According to the Simpsons” — although that’s a winner that I frequently recommend to seminarians interesting in decoding popular culture. In this case, I am referring to “A Jew Among the Evangelicals: A Guide for the Perplexed.” The key to the book is it’s discussion of how people in one faith tradition, or no faith tradition at all, can learn to visit the minds, hearts and souls of other believers. The old-school journalism goal (#DUH) is to do coverage that is accurate, balanced and fair-minded.

It helps, of course, to talk to gatekeepers and shareholders in the group one is attempting to cover.

That leads me to a piece that Pinsky wrote the other day for The Forward that ran with this headline: “After an online ‘onslaught’ over exhibit on racial justice, a Florida Holocaust museum vows not to back down.”

This is one of those sad cases in which quick-strike, advocacy journalism trends seen so often in this digital age — on the left and the right — produced articles that were, at best, incomplete and slanted. In this case, the journalists were on the cultural right. It’s easy to find articles on the cultural left, of course. It’s tragically easy to find examples of this trend in the mainstream press.

Here is the overture of Pinsky’s piece:

In late November, the Holocaust Memorial Resource & Education Center of Florida sparked outrage when it opened its current exhibition, “Uprooting Prejudice: Faces of Change.”

The bilingual exhibit, which runs through Jan. 31, consists of 45 large-format, black-and-white photo portraits. Chicago photographer John Noltner, a native of Minnesota, was inspired to take the shots in the aftermath of George Floyd’s killing at and around the site where he died in police custody in Minneapolis on May 25, 2020.

Noltner offered the temporary exhibit to the Center, which had a hole in its schedule. The exhibit, said the Center’s assistant director Lisa Bachman, was “right in line with our mission.”