Finding Magic

Sally Quinn and her ghosts: A memoir about magic, sex, spirituality and the religion beat

Now this is what the DC chattering classes desperately needed right now -- something to talk about other than President Donald Trump and his wife's controversial choices in footwear.

If you have followed post-1960s life in Washington, D.C., you will not be surprised that the person in the center of this hurricane of whispers is none other than journalist and social maven Sally Quinn. Yes, we're talking about the much-talked-about lover and much-younger wife of the great Washington Post editor Ben Bradlee.

Once the most feared "New Journalism" scribe covering DC social life, Quinn later used her personal charisma and clout to create the "On Faith" blog at the Post -- opening a window into the religious beliefs of her corner of the DC establishment. Hint: Mysterious progressive faith is good, traditional forms of religion are bad, bad, bad. Meanwhile, the former atheist became -- in her public persona -- a rather visible Episcopalian.

Now she is tweaking that image with a spiritual memoir entitled "Finding Magic" in which, in the words of a must-read Washingtonian profile, the "gatekeeper of Washington society turned religion columnist and about-to-turn evangelist for mysticism, magic, and the divine."

Journalists reading this profile will marvel at the personal details. However, it's also important to keep remembering that Quinn -- during some crucial years -- served as a major influence on religion-beat debates. My take on her approach: Why focus on hard news when everyone knows that religion is really about emotions, feelings and personal experiences?

OK, back to the Washingtonian article itself, which details the degree to which Quinn has decided to let her "spiritual freak flag fly." The summary statement is:

It’s a spiritual memoir, called Finding Magic, that charts her path from “angry atheist” to -- well, Quinn’s spiritual classification is a bit hard to define, even for her. A sort of Eat Pray Love for the This Town set, the memoir offers an intimate, at times painful look inside her exceedingly public life. There’s less glamour and cutthroat ambition, more vulnerability and personal anguish. She outs herself as a believer in the occult and as an erstwhile practitioner of voodoo, and she packs the book with moments that have made anxious friends wonder: Are you sure you want to share that?

Really? #Really.


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